In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A diplomat is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by
In the premier screening of the film, 241 people walked out of the theater, including Rock Hudson who said "Will someone tell me what the hell this is about?" Arthur C. Clarke once said, "If you understand '2001' completely, we failed. We wanted to raise far more questions than we answered." See more »
The bone Moon-Watcher uses to beat the enemy ape is a femur (upper leg bone), as indicated by the sideways projecting "arm" with a ball at the end. However, the bone shown rotating in the air is a tibia (main bone of the lower leg), as indicated by its blunt ends. See more »
The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen. See more »
film is a poetical contemplation of most exciting eternal questions
This movie is certainly one of the greatest films ever made. It is a story told in a steady pace, told mostly not by words but by cinematic means of expression. Perfect blend of spectacular special effects and classical music bring to life creations of human imagination in both realistic and poetical way. The story itself is quite simple at a first glance. As the title implies, there is an archetypal journey, a motive repeated for thousands of years. This motive was always used not only to depict a trip in space and time, and beyond, but also had rich philosophic meaning. The film is a poetical contemplation of most exciting eternal questions. It is not just an odyssey of a person; it is an odyssey of our species. The film is great by itself, yet, in my case, the impression from it will always be mingled with that from the book. I've read it at the age of 10, really not thinking about problems like 'what is the relationship between evolution of humankind and development of human morality'. But the impression was great enough to make me fall for entire genre of science fiction.
The day I learned '2001' got only special effects Oscar and was not even nominated for the Best Picture was the day when 'Academy Award' completely became two words meaning nothing to me.
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