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2001: A Space Odyssey (1968)

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Humanity finds a mysterious, obviously artificial object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

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566 ( 113)
Top Rated Movies #92 | Won 1 Oscar. Another 13 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Douglas Rain ...
HAL 9000 (voice)
Frank Miller ...
Bill Weston ...
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Aries-1B Lunar Shuttle Captain (as Edward Bishop)
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

the time is now. [2001 re-release] See more »

Genres:

Adventure | Sci-Fi

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

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Release Date:

12 May 1968 (UK)  »

Also Known As:

How the Solar System Was Won  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£69,567 (UK) (30 November 2014)

Gross:

$56,954,992 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (theatrical release) | (initial release) | (Canada VHS French Version)

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)| (2001 re-release)

Color:

(Technicolor)| (Metrocolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Despite his work earning a BAFTA for Best Cinematography, Geoffrey Unsworth did not enjoy the experience of working with Stanley Kubrick (like several cameramen before him). He told fellow cinematographer Oswald Morris (who had shot Lolita (1962)) that he felt he had no real creative input into the film due to Kubrick's uncompromising control of every aspect of the picture. "He [Kubrick], would give me the set-up and I would go in and light it", he told Morris. See more »

Goofs

When the moon monolith, which has been buried for millions of years, is struck by sunlight, it transmits its message to Jupiter, notifying its creators that humans must have evolved to point of space travel. But given that unfiltered sunlight on the moon is extremely destructive, even without knowing about the impending transmission the humans probably would have built a structure around the excavation site to protect whatever they found from direct sunlight. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
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Crazy Credits

The traditional "roaring lion" logo for MGM was not used in this film. Instead, the newly designed corporate logo for Metro-Goldwyn-Mayer was used, along with the letters "MGM", all in white against a blue background. See more »

Connections

Referenced in The Silence of the Lambs (1991) See more »

Soundtracks

Thus Spoke Zarathustra
Music by Richard Strauss
Performed by Wiener Philharmoniker (uncredited)
Conducted by Herbert von Karajan (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Greatest Movie of All Time
3 June 1999 | by (Boston) – See all my reviews

Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time:

1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!)

2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style.

3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene.

4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.


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