In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A young man is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by
Stanley Kubrick previewed the film for critics, but quickly regretted doing so. Among the mostly indifferent and unfavorable reviews, as noted in the documentary 2001: The Making of a Myth (2001), were: "Somewhere between hypnotic and immensely boring"--The New York Times; "A monumentally unimaginative movie"--Harpers; "Space Odyssey fails most gloriously"--Newsday; and "Big, Beautiful but plodding scifi epic. Superb photography major asset to confusing, long-unfolding plot."--Variety. See more »
When the Earth Shuttle stewardess enters the passenger cabin and moves towards Heywood Floyd, she stumbles on the walkway. The nature of the misstep reveals that she is not weightless. See more »
I spent many a sleepless night after watching 2001. Not only because of the psychological horror (of which 2001 is a masterpiece) but also because of the way it brought me (a restless soul) some clarity to the way I observe the universe. It changed my way of thinking in a very profound way. And after reading the novel (by Arthur C. Clarke) I found myself once again inspired (a writer as I am) by the level of imagination.
The Space Odyssey is not something one can just "go and see". One has to be ready for it, or it cannot be understood. In fact I don't think it can be understood at all, at least not all of it at once. It is a philosophical journey to the infinite and beyond, a masterpiece of it's genre and still after 32 years technically quite impressive all the way to the powerful musical soundtrack featuring 'Also spracht Zarathustra' by Richard Strauss and 'Blue Danube' by Johann Strauss.
Take all the time you want, but eventually you are going to have to see this film. If it can bring some order and understanding to the universe of a struggling artist like me, it can certainly do it for you as well.
Or maybe I'm just plain crazy...
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