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2001: A Space Odyssey (1968)

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Humanity finds a mysterious, obviously artificial object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

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613 ( 8)
Top Rated Movies #89 | Won 1 Oscar. Another 13 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Daniel Richter ...
...
...
...
Sean Sullivan ...
Douglas Rain ...
HAL 9000 (voice)
Frank Miller ...
Bill Weston ...
...
Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ...
Alan Gifford ...
...
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

Man's colony on the Moon... a whole new generation has been born and is living there... a quarter-million miles from Earth. See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

12 May 1968 (UK)  »

Also Known As:

How the Solar System Was Won  »

Box Office

Budget:

$12,000,000 (estimated)

Gross:

$56,715,371 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (theatrical release) | (initial release)

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)| (2001 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Stanley Kubrick was initially forced by MGM to have Alex North (who had written the score for Kubrick's Spartacus (1960)) compose an original score for this film. Kubrick, however, always intended to use classical music for the film. He allowed North to score the first half of the film before informing him they planned to use only sound effects for the second half. It wasn't until he was watching the film at its premier in New York that North discovered that his music had not been used. He later reused themes composed for this film in The Shoes of the Fisherman (1968), Shanks (1974) and Dragonslayer (1981). North's original score was unheard for 25 years until composer Jerry Goldsmith re-recorded it for Varese Sarabande in 1993. In 2007, however, Intrada, working with North's estate, released North's personal copies of the 1968 recording sessions on CD. See more »

Goofs

When David Bowman re-enters Discovery he uses the right "hand" of the pod to rotate the manual lift control for the pod bay door. While it it possible for this to work with the pod's thrusters compensating for the rotational torque, it would be more efficient if there were a left "handhold" to keep the pod from rotating around the control, instead of spinning the pod around. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

In the 2001 UK cinema re-release, the music carries on for 10-15 minutes after the end of the credits. See more »

Connections

Referenced in Warehouse 13: 13.1 (2010) See more »

Soundtracks

Gayaneh Ballet Suite
(1941-2)
Music by Aram Khachaturyan
Performed by Leningrad Philharmonic Orchestra (as the Leningrad Philharmonic Orchestra)
Conductor Gennadi Rozhdestvensky
Courtesy Deutsche Grammophon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Tribute to one of the top 5 filmmakers of our time...
7 March 1999 | by (Philadelphia, PA) – See all my reviews

I write this review just after hearing of Stanley Kubrick's death. It's a great loss, and I write about 2001: A SPACE ODYSSEY, because I feel it is the consummate Kubrick film, the one he will be most remembered for. It is a picture like no other, not only revolutionizing science fiction, but changing the way films are conceptualized. It was probably America's first 'art' film and has inspired the likes of George Lucas and countless other writers and directors.

Aside from its visual greatness, the reason the film spawns so much discussion and analysis is because so many people have so many different interpretations of it. Kubrick and Arthur C. Clarke, his co-writer, had a vision, but we have never really found out what was going through their minds. Of course, the skinny on its 'message' is how technology of the future will take over humanity and decide the course of our lives unless we are careful. 2001's ending is one of hope, a version of our rebirth through the star-child's flight back to earth. It is meaningless to many, but discerning filmgoers will understand.

Although 2001 does not have the wicked, dark humor of DR. STRANGELOVE or CLOCKWORK ORANGE, or contain strong, eccentric characters that filled his earlier works like PATHS OF GLORY or SPARTACUS, I still feel he would've liked to be remembered most for this. If anything, HAL will be his most memorable character, dangerous, murderous, and artificial. It was a half-decade in the making at a time when Hollywood was still churning out dull musicals and just waking up to the New Wave of French and Italian cinema. Kubrick was a maverick director who made great films on his own terms, his own time, and for everyone else to marvel at. He will be missed.


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It has aged for me and no longer is my favorite movie of all time Martinese
The Odyssey And Space Odyssey bradhbbrd
Can you argue that 2001 is the most beloved divisive film of all time? TwiZone
Slow movie is slow SomeDesperado
So, what's the big deal? Fosth101
Why does Interstellar have a higher rating than 2001. blevine-91014
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