In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
A diplomat is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by
Arthur C. Clarke first became aware of the project when the following cable from Roger Caras at MGM landed on his desk in 1963: "STANLEY KUBRICK DR STRANGELOVE PATHS OF GLORY ETC INTERESTED IN DOING FILM ON ETS STOP ARE YOU INTERESTED QUERY THOUGHT YOU WERE RECLUSE STOP" Clarke replied with the following cable: "FRIGHTFULLY INTERESTED IN WORKING WITH ENFANT TERRIBLE STOP CONTACT MY AGENT STOP WHAT MAKES KUBRICK THINK I'M A RECLUSE QUERY". See more »
As the moon shuttle lands it kicks up swirling clouds of dust. In the vacuum of space the dust would shoot out straight, as with the real-life Apollo Lunar Modules. See more »
The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen. See more »
I spent many a sleepless night after watching 2001. Not only because of the psychological horror (of which 2001 is a masterpiece) but also because of the way it brought me (a restless soul) some clarity to the way I observe the universe. It changed my way of thinking in a very profound way. And after reading the novel (by Arthur C. Clarke) I found myself once again inspired (a writer as I am) by the level of imagination.
The Space Odyssey is not something one can just "go and see". One has to be ready for it, or it cannot be understood. In fact I don't think it can be understood at all, at least not all of it at once. It is a philosophical journey to the infinite and beyond, a masterpiece of it's genre and still after 32 years technically quite impressive all the way to the powerful musical soundtrack featuring 'Also spracht Zarathustra' by Richard Strauss and 'Blue Danube' by Johann Strauss.
Take all the time you want, but eventually you are going to have to see this film. If it can bring some order and understanding to the universe of a struggling artist like me, it can certainly do it for you as well.
Or maybe I'm just plain crazy...
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