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2001: A Space Odyssey (1968)

8.3
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Ratings: 8.3/10 from 297,950 users   Metascore: 86/100
Reviews: 1,573 user | 240 critic | 14 from Metacritic.com

Humanity finds a mysterious, obviously artificial, object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

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Title: 2001: A Space Odyssey (1968)

2001: A Space Odyssey (1968) on IMDb 8.3/10

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Top 250 #106 | Won 1 Oscar. Another 12 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Daniel Richter ...
...
...
...
Sean Sullivan ...
Douglas Rain ...
HAL 9000 (voice)
Frank Miller ...
Bill Weston ...
...
Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ...
Alan Gifford ...
Ann Gillis ...
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

An epic drama of adventure and exploration See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

11 April 1968 (Japan)  »

Also Known As:

How the Solar System Was Won  »

Box Office

Budget:

$10,500,000 (estimated)

Gross:

$56,715,371 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)| (2001 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

After seeing a documentary called To the Moon and Beyond (not listed on IMDb) at the 1964 New York World's Fair, Stanley Kubrick hired one of its special effects technicians, Douglas Trumbull, to work on this film. Trumbull developed a process called Slitscan photography to create the wild, kaleidoscopic images Bowman experiences going through the Stargate. It involved moving the camera rapidly past different pieces of lighted artwork, with the camera shutter held open to allow for a streaking effect. The overall effect gave the audience the sense of plunging into the infinite. Trunbull was later hired by ABC to produce the famous opening sequence for the ABC "Movie of the Week" using the same slitscan technique used for 2001. See more »

Goofs

While Frank is on the tanning bed listening to his parents' birthday greetings there is a cut showing Dave asleep in his 'sleeping pod' that shows the tanning bed at Dave's head, empty. Likewise, Dave is not shown inside the pod while Frank is shown on the tanning bed. The lighting in each cut also changes. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

The traditional "roaring lion" logo for MGM was not used in this film. Instead, the newly designed corporate logo for Metro-Goldwyn-Mayer was used, along with the letters "MGM", all in white against a blue background. See more »

Connections

Referenced in Mystery Science Theater 3000: The Phantom Planet (1998) See more »

Soundtracks

Requiem
(1963)
("Requiem, for Soprano, Mezzo-Soprano, 2 Mixed Choirs & Orchestra")
Music by György Ligeti
Performed by Bavarian Radio Orchestra (as the Bavarian Radio Orchestra)
Conductor Francis Travis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Tribute to one of the top 5 filmmakers of our time...
7 March 1999 | by (Philadelphia, PA) – See all my reviews

I write this review just after hearing of Stanley Kubrick's death. It's a great loss, and I write about 2001: A SPACE ODYSSEY, because I feel it is the consummate Kubrick film, the one he will be most remembered for. It is a picture like no other, not only revolutionizing science fiction, but changing the way films are conceptualized. It was probably America's first 'art' film and has inspired the likes of George Lucas and countless other writers and directors.

Aside from its visual greatness, the reason the film spawns so much discussion and analysis is because so many people have so many different interpretations of it. Kubrick and Arthur C. Clarke, his co-writer, had a vision, but we have never really found out what was going through their minds. Of course, the skinny on its 'message' is how technology of the future will take over humanity and decide the course of our lives unless we are careful. 2001's ending is one of hope, a version of our rebirth through the star-child's flight back to earth. It is meaningless to many, but discerning filmgoers will understand.

Although 2001 does not have the wicked, dark humor of DR. STRANGELOVE or CLOCKWORK ORANGE, or contain strong, eccentric characters that filled his earlier works like PATHS OF GLORY or SPARTACUS, I still feel he would've liked to be remembered most for this. If anything, HAL will be his most memorable character, dangerous, murderous, and artificial. It was a half-decade in the making at a time when Hollywood was still churning out dull musicals and just waking up to the New Wave of French and Italian cinema. Kubrick was a maverick director who made great films on his own terms, his own time, and for everyone else to marvel at. He will be missed.


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