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2001: A Space Odyssey (1968)

8.3
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Ratings: 8.3/10 from 298,590 users   Metascore: 86/100
Reviews: 1,574 user | 240 critic | 14 from Metacritic.com

Humanity finds a mysterious, obviously artificial, object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

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Title: 2001: A Space Odyssey (1968)

2001: A Space Odyssey (1968) on IMDb 8.3/10

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Top 250 #104 | Won 1 Oscar. Another 12 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Daniel Richter ...
...
...
...
Sean Sullivan ...
Douglas Rain ...
HAL 9000 (voice)
Frank Miller ...
Bill Weston ...
...
Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ...
Alan Gifford ...
Ann Gillis ...
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

The Ultimate Trip. See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

11 April 1968 (Japan)  »

Also Known As:

How the Solar System Was Won  »

Box Office

Budget:

$10,500,000 (estimated)

Gross:

$56,715,371 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)| (2001 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

If you consider the relative positions of Bowman when he first arrives in the suite, when he is next standing in the room, when he is in the bathroom, when he is at the table, and when he is in the bed, these points form a star. See more »

Goofs

On the space station, right after Dr. Floyd clears security, and before he meets the Russians, he and another man are strolling along the curved floor of the station. Their bodies' orientation should be radial to the curvature of the floor, appearing to lean forward in the frame, but instead they are perpendicular to the orientation of the frame: they are walking downhill rather that walking along the bottom of the curved floor. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

"Thus Spake Zarathustra" is the only musical piece in the film whose conductor and orchestra are not mentioned in the closing credits. For all other pieces, the orchestra which plays it, and the conductor who leads it, are given screen credit. See more »

Connections

Referenced in Murders in the Rue Morgue (1971) See more »

Soundtracks

The Blue Danube
(1866)
("An der schönen, blauen Donau, op. 314 (The Blue Danube)")
Music by Johann Strauß (as Johann Strauss)
Performed by Berliner Philharmoniker (as the Berlin Philharmonic Orchestra)
Conductor Herbert von Karajan
Courtesy Deutsche Grammophon
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Cosmic Art
6 February 2005 | by (Dallas, Texas) – See all my reviews

Mankind's Self awakening is the theme of "2001: A Space Odyssey", a process that unfolds along a space-time continuum. We "see" our primordial past, and we "infer" a cosmic future. The powers of intuition thus become the doors of perception, in our ongoing collective journey.

From this transcendental perspective, a conventional, egocentric plot seems superfluous. Our frenzied conflicts and self-important dialogue are consumed in evolutionary change, and are irrelevant in a cosmos that is vast beyond comprehension. It's a tough lesson for a vain and aggressive species. Not surprising then that some of us huff and puff about the film's slowness and minimal story. For perceptive viewers, the remuneration is an inspirational sense of wonder and awe.

In this film, which is mostly visual, geometric symbols guide our intuition. Circles and arcs represent nature. Right angles represent conscious intelligence. Some people think the sleek, black monolith is a Von Neumann probe. Maybe. Without doubt, the monolith is a visual metaphor for an extraterrestrial intelligence whose physical form is never shown. Mystery is more profound than explanation.

"2001 ... " is unique among films in content and scope. The cinematography is out-of-this-world, the special and visual effects are breathtaking, and the classical music is sublime. I rarely use the word "masterpiece" to describe a movie. But Stanley Kubrick's "2001: A Space Odyssey" is art in the highest sense, like Leonardo da Vinci's "Mona Lisa", or Vincent Van Gogh's "The Starry Night".


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HAL's voice klaatoo999
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