In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
In this action comedy, Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U.S. Senator, and finds himself exiled ... See full summary »
J. Neil Schulman
The timely story of a normal family disintegrating under financial pressure, eventually driven to the unimaginable. We witness the terrifying events unfold through daughter Judith's video camera, which subsequently becomes Exhibit A.
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by
The four acts of the film, in sequential order, are named thus: 'The Dawn of Man', 'TMA-1', 'Jupiter Mission' and 'Jupiter and Beyond the Infinite'. 'TMA-1' happens to be the only act without its title superimposed in the film. See more »
When Heywood Floyd is talking to his daughter on the picture-phone, she moves slightly out of frame but remains in the shot. Modern cameras can move around to "follow" a person, Stanley Kubrick and Arthur C. Clarke foresaw this. See more »
film is a poetical contemplation of most exciting eternal questions
This movie is certainly one of the greatest films ever made. It is a story told in a steady pace, told mostly not by words but by cinematic means of expression. Perfect blend of spectacular special effects and classical music bring to life creations of human imagination in both realistic and poetical way. The story itself is quite simple at a first glance. As the title implies, there is an archetypal journey, a motive repeated for thousands of years. This motive was always used not only to depict a trip in space and time, and beyond, but also had rich philosophic meaning. The film is a poetical contemplation of most exciting eternal questions. It is not just an odyssey of a person; it is an odyssey of our species. The film is great by itself, yet, in my case, the impression from it will always be mingled with that from the book. I've read it at the age of 10, really not thinking about problems like 'what is the relationship between evolution of humankind and development of human morality'. But the impression was great enough to make me fall for entire genre of science fiction.
The day I learned '2001' got only special effects Oscar and was not even nominated for the Best Picture was the day when 'Academy Award' completely became two words meaning nothing to me.
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