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2001: A Space Odyssey (1968)

G  |   |  Mystery, Sci-Fi  |  15 May 1968 (UK)
8.3
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Ratings: 8.3/10 from 361,465 users   Metascore: 86/100
Reviews: 1,667 user | 264 critic | 14 from Metacritic.com

Humanity finds a mysterious, obviously artificial, object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

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(screenplay), (screenplay), 1 more credit »
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Title: 2001: A Space Odyssey (1968)

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Top 250 #94 | Won 1 Oscar. Another 14 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Daniel Richter ...
...
...
...
Sean Sullivan ...
Douglas Rain ...
HAL 9000 (voice)
Frank Miller ...
Bill Weston ...
...
Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ...
Alan Gifford ...
Ann Gillis ...
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

Let the Awe and Mystery of a Journey Unlike Any Other Begin See more »

Genres:

Mystery | Sci-Fi

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

15 May 1968 (UK)  »

Also Known As:

How the Solar System Was Won  »

Box Office

Budget:

$10,500,000 (estimated)

Gross:

$56,715,371 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (TCM print)

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)| (2001 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

The movie was not a financial success during the first weeks of its theatrical run. MGM was already planning to pull it back from theaters, when they were persuaded by several theatre owners to keep showing the film. Many theater owners had observed increasing numbers of young adults attending the film, who were especially enthusiastic about watching the 'Star Gate' sequence under the influence of psychotropic drugs. This helped the film to become a financial success in the end, despite the many negative reactions it received in the beginning. See more »

Goofs

While Frank is on the tanning bed listening to his parents' birthday greetings there is a cut showing Dave asleep in his 'sleeping pod' that shows the tanning bed at Dave's head, empty. Likewise, Dave is not shown inside the pod while Frank is shown on the tanning bed. The lighting in each cut also changes. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

"Thus Spake Zarathustra" is the only musical piece in the film whose conductor and orchestra are not mentioned in the closing credits. For all other pieces, the orchestra which plays it, and the conductor who leads it, are given screen credit. See more »

Connections

Referenced in Zenon: The Zequel (2001) See more »

Soundtracks

Adventures
(1962) (uncredited)
Music by Gy├Ârgy Ligeti
Performed by The International Chamber Ensemble Darmstadt
Conductor Bruno Maderna
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Greatest Movie of All Time
3 June 1999 | by (Boston) – See all my reviews

Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time:

1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!)

2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style.

3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene.

4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.


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