In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
A diplomat is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by
Although all advertisements, as well as the soundtrack album and the movie's closing credits, claimed that the film was released in Cinerama, it was not shot in the Cinerama process (three synchronized films that would be shown by three synchronized projectors on a huge, curved screen). All Cinerama films from 1963 on were shot by one camera on 65-millimeter film with a special anamorphic lens that would then project a blown-up image onto the curved screen. This film initially did such poor box office that MGM actually considered pulling it from Cinerama release after completion of a 30-day run. The exhibitors began reporting that audiences were not only increasing, but it was noted that some audience members had come to see the film multiple times. It eventually became one of MGM's biggest hits, yet was the only film to be pulled from Cinerama venues while it was still making a good profit. Metro-Goldwyn-Mayer was anxious to release its completed production Ice Station Zebra. See more »
The scene where Dr. Floyd talks with Russian scientists in the space station is shot from two angles. One of the seated women has her legs crossed in all the shots from one angle and uncrossed in all the shots from the other angle. See more »
The original theatrical release had Ligeti's Atmospheres to a black screen for roughly 8 to 10 minutes before the movie began, and Strauss' The Blue Danube well after the end credits to a black screen. See more »
A whimsical, often spectacular view of a future in which advances in technology dominate the world. It is well shot and although slow-moving it is intense and enjoyable throughout. The featuring of classical music to establish atmosphere works brilliantly; it provides a feeling of awe, mystery and intrigue the same aura that Walt Disney worked in creating 'Fantasia'. The special effects, both sound and visual, are still spellbinding by the standards of today's technology. Aside from the technical pluses of the film, it stands strong as it is one of not many films out there that has something important to say about humankind, and where the human race is heading in terms of our increasing reliance on machines and our unquenchable thirst to discover. Despite an ending that is hard to understand, it is even harder to overlook this film a true cinema classic.
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