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2001: A Space Odyssey (1968)

 -  Mystery | Sci-Fi  -  15 May 1968 (UK)
8.3
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Ratings: 8.3/10 from 326,651 users   Metascore: 86/100
Reviews: 1,614 user | 253 critic | 14 from Metacritic.com

Humanity finds a mysterious, obviously artificial, object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.

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(screenplay), (screenplay), 1 more credit »
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Title: 2001: A Space Odyssey (1968)

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Top 250 #101 | Won 1 Oscar. Another 14 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Daniel Richter ...
...
...
...
Sean Sullivan ...
Douglas Rain ...
HAL 9000 (voice)
Frank Miller ...
Bill Weston ...
...
Aries-1B Lunar Shuttle Captain (as Edward Bishop)
Glenn Beck ...
Alan Gifford ...
Ann Gillis ...
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Storyline

"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by Larry Cousins

Plot Summary | Plot Synopsis

Taglines:

Let the Awe and Mystery of a Journey Unlike Any Other Begin See more »

Genres:

Mystery | Sci-Fi

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

15 May 1968 (UK)  »

Also Known As:

How the Solar System Was Won  »

Box Office

Budget:

$10,500,000 (estimated)

Gross:

$56,715,371 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (TCM print)

Sound Mix:

(35 mm magnetic prints)| (70 mm prints)| (2001 re-release)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

Though almost invisible when watching the film on a TV screen, the four satellites in the first space sequence bear United States, German, French, and Chinese markings. See more »

Goofs

When the hatch is blown with the "explosive bolts", it appears to vanish when it should have been in between Dave and the Discovery, blocking his entrance, However, the door isn't actually detached in this sequence but is, rather, forcibly opened with the door sliding into the side of pod as it normally would, just much quicker due to the explosive bolts being fired. See more »

Quotes

[first lines]
Aries-1B stewardess: Here you are, sir, main level please.
See more »

Crazy Credits

The traditional "roaring lion" logo for MGM was not used in this film. Instead, the newly designed corporate logo for Metro-Goldwyn-Mayer was used, along with the letters "MGM", all in white against a blue background. See more »

Connections

Referenced in The Life and Death of Peter Sellers (2004) See more »

Soundtracks

Happy Birthday to You
(1893) (uncredited)
Written by Mildred J. Hill and Patty S. Hill
Performed by Alan Gifford and Ann Gillis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Cosmic Art
6 February 2005 | by (Dallas, Texas) – See all my reviews

Mankind's Self awakening is the theme of "2001: A Space Odyssey", a process that unfolds along a space-time continuum. We "see" our primordial past, and we "infer" a cosmic future. The powers of intuition thus become the doors of perception, in our ongoing collective journey.

From this transcendental perspective, a conventional, egocentric plot seems superfluous. Our frenzied conflicts and self-important dialogue are consumed in evolutionary change, and are irrelevant in a cosmos that is vast beyond comprehension. It's a tough lesson for a vain and aggressive species. Not surprising then that some of us huff and puff about the film's slowness and minimal story. For perceptive viewers, the remuneration is an inspirational sense of wonder and awe.

In this film, which is mostly visual, geometric symbols guide our intuition. Circles and arcs represent nature. Right angles represent conscious intelligence. Some people think the sleek, black monolith is a Von Neumann probe. Maybe. Without doubt, the monolith is a visual metaphor for an extraterrestrial intelligence whose physical form is never shown. Mystery is more profound than explanation.

"2001 ... " is unique among films in content and scope. The cinematography is out-of-this-world, the special and visual effects are breathtaking, and the classical music is sublime. I rarely use the word "masterpiece" to describe a movie. But Stanley Kubrick's "2001: A Space Odyssey" is art in the highest sense, like Leonardo da Vinci's "Mona Lisa", or Vincent Van Gogh's "The Starry Night".


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