In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
"2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably elsewhere throughout the universe as well). Evolution then enabled humankind to reach the moon's surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. Now a race begins between computers (HAL) and human (Bowman) to reach the monolith placers. The winner will achieve the next step in evolution, whatever that may be. Written by
This film was shot at MGM's Borehamwood Studios next door to where the TV series The Prisoner (1967) was being filmed. Prisoner star Patrick McGoohan borrowed some special effects footage of a starry sky for his episode "Chimes of Big Ben". This footage was not used in the broadcast version of the episode but is visible in an early edit that was later released on video. See more »
When the Earth Shuttle stewardess enters the passenger cabin and moves towards Heywood Floyd, she stumbles on the walkway. The nature of the misstep reveals that she is not weightless. See more »
The traditional "roaring lion" logo for MGM was not used in this film. Instead, the newly designed corporate logo for Metro-Goldwyn-Mayer was used, along with the letters "MGM", all in white against a blue background. See more »
A whimsical, often spectacular view of a future in which advances in technology dominate the world. It is well shot and although slow-moving it is intense and enjoyable throughout. The featuring of classical music to establish atmosphere works brilliantly; it provides a feeling of awe, mystery and intrigue the same aura that Walt Disney worked in creating 'Fantasia'. The special effects, both sound and visual, are still spellbinding by the standards of today's technology. Aside from the technical pluses of the film, it stands strong as it is one of not many films out there that has something important to say about humankind, and where the human race is heading in terms of our increasing reliance on machines and our unquenchable thirst to discover. Despite an ending that is hard to understand, it is even harder to overlook this film a true cinema classic.
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