4 items from 2017
Dave Lawrie Jul 6, 2017
Have you ever watched a TV show and thought 'I’d quite like a go at that', quickly replaced by the follow-up thought 'but I’m not sure that I could?'
My name is Dave and I have now been involved with five TV productions at various levels. I have auditioned for The Weakest Link, been part of a pilot that never made it to air, and featured as a contestant on Total Wipeout, Ninja Warrior UK and Robot Wars. I suffer from low self esteem and rollercoaster depression and I have found no finer therapy for it than the character-validating world of television production.
My quest today is to try »
Paris — Variety held its first-ever TV Summit Europe in Paris on Thursday at its Series Mania TV festival. At it, key top executives from Europe and the U.S. analyzed their production strategies in a vibrant, if complex, international TV drama market. 20th Century Fox’s Manuel Alduy summed up the studio’s strategy in international as “diversification.” That could be said of many companies as, outside the U.S., they ring multiple production options along a global-local axis and as scripted series boost channels’ market shares, by as much as 26% for ITV and 35% for Denmark’s TV2, according to a EuroData TV Drama Overview presented at Series Mania. Below, incorporating news and analysis from the Summit and the whole of Series Mania, are 10 observed cutting-edge trends in the international TV business:
“Distribution will go through mobile and telecom [companies], that, [given[ the way they are shaping the convergent world, are key partners. The only way to build scale in the game is to partner with these telcos,” said Dominique Delport, chairman, Vivendi Content (pictured), in a spirited keynote conversation at the Variety TV Summit Europe, explaining why Vivendi, the France-based communications group, has rebuilt as a premium content creator-producer. Increasingly, series look to split two ways: Those that can build decisive brand and subscriber driven value for telecoms, digital platforms and big pay TV platforms; the remainder. This explains why Vivendi, despite being Europe’s second biggest pay TV operator, has created Studio Plus, an app delivering digital first, premium short-form series produced by Vivendi Content that it is actively selling to telecoms worldwide. Launched in Feb. 2017, telco clients include Spain’s Telefonica-Movistar Plus, Brazil’s Vivo, Telecom Italia and France’s Bouygues TV and Orange. Studio Plus subscriptions stand at 200,000; Vivendi targets 2 million by year-end, said Delport. Vivendi is in talks with “30-to-50 telcos today,” among them three of the top four U.S. telcos, he added.
2.Post Nordic Noir
- John Hopewell and Jamie Lang
Recently, the video game industry has not heard very much from Peter Molyneux. He is, however, working on a new title as we speak, but you would be forgiven if this is the first time you are hearing about it. The name of the game is Legacy, and details are scarce. However, in an interview with Glixel, Molyneux did let one detail slip:
“The only thing I think is wise to tell you is that it’s very different. One of the things I am proud of is the number of different genres that I’ve attempted. At the moment, it’s hard to peg what genre Legacy falls into.” When asked for further details, Molyneux replies: “I think it would be a mistake to talk about it.”
Peter Molyneux’s 2013 title ‘Godus’.
Peter Molyneux is one of the most eccentric figures in the gaming industry. Before Fable released way »
- Jordan Jones
It’s ugly, it’s violent, it’s graphic novelist Frank Miller’s nasty vision through and through. Scream Factory’s Collector’s Edition brings out the amazing backstory of the production of this stop-motion- intensive first sequel to RoboCop. Druglord Caine is a menace, but we’re just as appalled by the film’s vivid depiction of a greater terror: Predatory Privatization.
Shout! Factory / Scream Factory
1990 / Color / 1:85 widescreen / 117 min. / Collector’s Edition / Street Date March 21, 2011 / 34.93
Cinematography: Mark Irwin
Production Design: Peter Jamison
Original Music: Leonard Rosenman
Produced by Jon Davison
Directed by Irvin Kershner
I wish I could say that 1990’s RoboCop 2 has been »
- Glenn Erickson
4 items from 2017
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