The trio investigates a euthanasia that may turn out to be murder. The accused man, who killed his terminally ill wife, claims she was in intolerable pain, but doctors say she was receiving too much ...
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by black comic Flip Wilson, this show featured skits, ... See full summary »
Young people in trouble with the law (wealthy Pete stole a car; Linc arrested during Watts riots; Julie ran away from her San Francisco prostitute mother) can avoid jail by infiltrating the counter culture and exposing badguys who prey on other kids. Written by
Ed Stephan <firstname.lastname@example.org>
The "Woody", a 1950 Mercury wood-panelled station wagon, was wrecked in Mod Squad: The Death of Wild Bill Hannachek (1969). At the end of the episode, the Squad watches their "old buddy" burn, and Linc utters the classic line, "Good bye, old paint". In the reunion movie, The Return of Mod Squad (1979), Pete is rich, so he buys a woody when the three of them unite for the task of finding the bad guy. See more »
The Mod Squad centered around three youthful cops, that were recruited to the LA police force in the late 60s. This show was truly cutting-edge as a concept back then. Three cool, under thirty hipsters as cops?? Yep! And it worked, because this was one of the most popular crime dramas of all-time.
The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.
Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.
By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.
I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
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