The trio investigates a euthanasia that may turn out to be murder. The accused man, who killed his terminally ill wife, claims she was in intolerable pain, but doctors say she was receiving too much ...
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by black comic Flip Wilson, this show featured skits, ... See full summary »
Young people in trouble with the law (wealthy Pete stole a car; Linc arrested during Watts riots; Julie ran away from her San Francisco prostitute mother) can avoid jail by infiltrating the counter culture and exposing badguys who prey on other kids. Written by
Ed Stephan <email@example.com>
As I'm re-watching the series on DVD, two things stand out to me:
* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.
* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.
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