McGill (known as "Mac") was a former U.S. intelligence agent based in London. After being thrown out of the agency for something he did not do, he finds his "false" reputation has preceded ... See full summary »
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1968   1967  

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Storyline

McGill (known as "Mac") was a former U.S. intelligence agent based in London. After being thrown out of the agency for something he did not do, he finds his "false" reputation has preceded him everywhere he goes. To make ends meet he takes odd and intriguing "private eye" type jobs all over Europe, all the while trying to clear his name. Written by Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>

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3 May 1968 (USA)  »

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(30 episodes)

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1.33 : 1
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Trivia

McGill's pistol, in almost all of the episodes, is a Smith & Wesson 39. The 39 was designed in hopes of being a replacement for the U.S. Army's Colt 1911 during Service Pistol Trials held in 1954. The S&W 39 is a 9mm double action semi-automatic, while the Colt 1911 is a .45 single action semi-automatic. While the Army decided to stick with the Colt, some U.S. Special Forces in the Vietnam War carried the S&W 39. So conceivably McGill may have trained with the weapon and been issued one by "American Intelligence" before he was scapegoated out. See more »

Connections

Referenced in Dennis Spooner: Wanna Write a Television Series? (2009) See more »

Soundtracks

Man in a Suitcase
Written by Ron Grainer
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User Reviews

Amazing production - unrecognised and way ahead of its time
5 December 2005 | by See all my reviews

Richard Bradford plays this role absolutely on the nail. It sets a standard that can only have been copied in the Prisoner, Callan, the Professionals, The Avengers ..... The list would go on, right through to Bond and Vin Diesel. An understated and genuine creation that has set the scene for years after. Any actor who now wants to play the disenfranchised but preeminent secret agent has to watch this or fail dismally.

The production is carried by Bradford's acting and presence, but it has to be acknowledged, he has the medium of inspired writers who are clearly "under the cosh" to deliver tight, cogent and robust scripts.

Mcgill, and I suspect Bradford as well, would have hated the internet and the modern film industry as a communications medium, given its requirement for many words where one short meaningful statement would do - Ernest Hemingway - you're not forgotten.

One statement to sum it up? - Great intelligent, high integrity production.


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