Joe 90 (1968–1969)

TV Series  |   |  Animation, Adventure, Family
7.1
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Joe McClaine is a 9-year-old boy whose adoptive father has developed a method of transferring specialist "brain patterns", and hence skills, into his son's mind. As a result, Joe is able to... See full summary »

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Title: Joe 90 (1968–1969)

Joe 90 (1968–1969) on IMDb 7.1/10

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1969   1968  

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Cast

Series cast summary:
Len Jones ...
 Joe McClaine (30 episodes, 1968-1969)
Rupert Davies ...
 Professor Ian McClaine (30 episodes, 1968-1969)
Keith Alexander ...
 Sam Loover / ... (30 episodes, 1968-1969)
David Healy ...
 Shane Weston / ... (30 episodes, 1968-1969)
Gary Files ...
 Guard / ... (24 episodes, 1968-1969)
Jeremy Wilkin ...
 2nd Russian / ... (16 episodes, 1968-1969)
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Storyline

Joe McClaine is a 9-year-old boy whose adoptive father has developed a method of transferring specialist "brain patterns", and hence skills, into his son's mind. As a result, Joe is able to become a test pilot, brain surgeon, etc, as needed. Combined with his innocent appearance, he becomes an agent for the World Intelligence Network. Written by <dferstat@iinet.net.au>

Plot Summary | Add Synopsis

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The worlds smartest secret agent is only 9 years old!


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Release Date:

29 September 1968 (UK)  »

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Technical Specs

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(30 episodes)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Was never aired in the United States. See more »

Connections

Follows Thunderbird 6 (1968) See more »

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User Reviews

 
Evolution of Anderson's puppets
14 April 2009 | by (United Kingdom) – See all my reviews

I watched a "SuperMarionation" themed day yesterday on the SF TV Channel, comprising episodes of Stingray, Thunderbirds and Joe 90 and it struck me how much Anderson's puppets had evolved from Stingray, through Thunderbirds to Joe 90. Before Joe 90 the puppets looked toy-like with large heads and stunted limbs. However the puppets in Joe 90 have bodies that are correct in all proportions and faces that look human (in fact they look so human the visual effect can be a bit weird). I especially noticed it in scene in a church where the congregation puppets had such lifelike facial features that, for a second, I thought I was watching inserted library stock of human extras but they were all puppets, all with unique human facial features. Gerry Anderson had reached his goal with Joe 90 of having miniature people but it's a pity the scripts were a bit top-heavy with their wish-fulfilment fantasies of many of Britain's oppressed 10 year-old boys.


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