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George and Mildred Roper are forced to leave their home in South Kensington (as the landlords in Man About the House (1973)) when they receive a compulsory purchase order from the council. ... See full summary »
Dr. Burke is in love with Ophelia but doesn't have time to propose to her as she leaves for a cruise to the Mediterranean. Also on board the cruise ship is an old school chum of Burke's who... See full summary »
James Robertson Justice
Weekly situation comedy about a hapless but caring teacher and his class of unruly kids. The teacher sees much good and potential in his pupils much to the dismay of his fellow teachers who... See full summary »
1970s English suburbia: middle-aged homeowner Sid Abbot just wants to get on with building his illegal whisky still, but is frustrated by his workshy son, and otherworldly daughter. Then ... See full summary »
Patrick Glover's brother, who is living in Australia, has to leave home suddenly in connection with his work. Worried about leaving his two teenage daughters alone to fend for themselves ... See full summary »
This was a long running, popular, comedy that ran on ITV during the early 1970's. Patrick Cargill is the author Patrick Glover of tacky thrillers who is separated from his wife, but has custody of his two teenage daughters. Also in the picture is Nanny, the housekeeper, and Georgy his agent, with whom he's also having a long-running relationship. Oh, and there's an enormous St Bernard dog, called H.G.
Each episode is a mini farce, usually with a misunderstanding that leads to conversations which drive Patrick wild. There seems to be a real studio audience for the first few years, and then canned laughter
the standard audio which ITV always used at this time, and which can
be recognised, began to be used, and the programme suffers from this.
One thing different to the norm is the introduction as the titles play
a little story unfolds, which usually leaves Patrick in a mess. The
later series lost this, so there was just a rather twee, but pointless scene during the titles, with some exceptions, for instance in the last episode of series six. There's also action at the end, actors chaotically moving around.
This comedy is very much played as though it were on stage, and it has a quality of perhaps just a little hamminess which enhances rather than detracts. The wordplay can sometimes be too fast for the studio audience who don't always react to the more subtle jokes.
The first three series can be bought: the first two in black and white only from Australia, but for the rest you'll have to seek out copies from traders. If you can get hold of them, I'd particularly recommend series four and five, and there's a definite dulling of quality after this.
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