| Doris Day | ... | Doris Martin (128 episodes, 1968-1973) | |
| Philip Brown | ... | Billy Martin (60 episodes, 1968-1971) | |
| Todd Starke | ... | Toby Martin (60 episodes, 1968-1971) |
Series Directed by | |||
| William Wiard | (22 episodes, 1969-1973) | ||
| Bruce Bilson | (12 episodes, 1968-1972) | ||
| Denver Pyle | (10 episodes, 1970) | ||
| Coby Ruskin | (9 episodes, 1969-1970) | ||
| Gary Nelson | (8 episodes, 1968-1969) | ||
| Bob Sweeney | (7 episodes, 1968) | ||
| Reza Badiyi | (7 episodes, 1970-1971) | ||
| Marc Daniels | (7 episodes, 1971-1973) | ||
| Lee Philips | (7 episodes, 1971-1973) | ||
| Harry Falk | (5 episodes, 1968-1969) | ||
| Richard Kinon | (5 episodes, 1971-1973) | ||
| Norman Tokar | (5 episodes, 1971-1972) | ||
| Roger Duchowny | (5 episodes, 1972-1973) | ||
| Frederick De Cordova | (4 episodes, 1970) | ||
| Earl Bellamy | (2 episodes, 1969-1970) | ||
| Hal Cooper | (2 episodes, 1969-1970) | ||
| Lawrence Dobkin | (2 episodes, 1969) | ||
| Peter Baldwin | (2 episodes, 1971) | ||
| Jerry London | (2 episodes, 1971) | ||
| Irving J. Moore | (2 episodes, 1971) | ||
Series Writing credits | ||
| James Fritzell | (93 episodes, 1968-1973) | |
| Jack Elinson | (27 episodes, 1969-1971) | |
| Norman Paul | (27 episodes, 1969-1971) | |
| Budd Grossman | (16 episodes, 1969-1971) | |
| Arthur Julian | (16 episodes, 1971-1973) | |
| Laurence Marks | (15 episodes, 1971-1973) | |
| William Raynor | (6 episodes, 1969-1973) | |
| Myles Wilder | (6 episodes, 1969-1973) | |
| Don Genson | (6 episodes, 1970-1973) | |
| Sidney Morse | (4 episodes, 1968-1969) | |
| Richard Powell | (4 episodes, 1971-1972) | |
| Rick Mittleman | (3 episodes, 1970-1973) | |
| Phil Sharp | (3 episodes, 1971-1972) | |
| Dick Bensfield | (2 episodes, 1968-1969) | |
| Joseph Bonaduce | (2 episodes, 1968-1969) | |
| Jerry Devine | (2 episodes, 1968-1969) | |
| Perry Grant | (2 episodes, 1968-1969) | |
| Bruce Howard | (2 episodes, 1968-1969) | |
| Bruce Johnson | (2 episodes, 1968-1969) | |
| E. Duke Vincent | (2 episodes, 1968-1969) | |
| Harry Winkler | (2 episodes, 1968-1969) | |
| Arthur Alsberg | (2 episodes, 1969-1970) | |
| Don Nelson | (2 episodes, 1969-1970) | |
| Doug Tibbles | (2 episodes, 1970) | |
| Courtney Andrews | (2 episodes, 1972-1973) | |
| Laurie Samara | (2 episodes, 1972-1973) | |
| Charlotte Brown | (2 episodes, 1972) | |
Series Produced by | |||
| George Turpin | .... | associate producer (54 episodes, 1968-1970) | |
| Jack Elinson | .... | producer (51 episodes, 1969-1971) | |
| Norman Paul | .... | producer (51 episodes, 1969-1971) | |
| Edward H. Feldman | .... | producer (43 episodes, 1971-1973) | |
| Terry Melcher | .... | executive producer (30 episodes, 1968-1971) | |
| Martin Melcher | .... | executive producer (28 episodes, 1968-1969) | |
| Richard Dorso | .... | producer (26 episodes, 1968-1969) | |
| Bob Sweeney | .... | producer (26 episodes, 1968-1969) | |
| Doris Day | .... | executive producer (25 episodes, 1968-1973) | |
| Jerry London | .... | associate producer / co-producer (21 episodes, 1971-1972) | |
| Don Genson | .... | executive producer (3 episodes, 1970-1971) | |
Series Original Music by | |||
| Jimmie Haskell | (96 episodes, 1969-1973) | ||
| William Loose | (24 episodes, 1968-1969) | ||
| Robert Mersey | (4 episodes, 1968) | ||
Series Cinematography by | |||
| Richard L. Rawlings | (127 episodes, 1968-1973) | ||
Series Film Editing by | |||
| Cliffe Oland | (11 episodes, 1969-1971) | ||
| Michael Kahn | (2 episodes, 1971) | ||
Series Art Direction by | |||
| Perry Ferguson II | (70 episodes, 1968-1972) | ||
Series Set Decoration by | |||
| James Hassinger | (60 episodes, 1968-1972) | ||
Series Costume Design by | |||
| Constance Edney | (1 episode, 1971) | ||
Series Makeup Department | |||
| Barbara Lampson | .... | hair stylist (58 episodes, 1968-1972) | |
| Harry Maret | .... | makeup artist (58 episodes, 1968-1972) | |
Series Production Management | |||
| Abby Singer | .... | production manager (61 episodes, 1968-1972) | |
Series Second Unit Director or Assistant Director | |||
| Louis B. Appleton Jr. | .... | assistant director (74 episodes, 1970-1973) | |
| Robert Daley | .... | assistant director (54 episodes, 1968-1970) | |
Series Art Department | |||
| William Skammes | .... | property master (5 episodes, 1970-1972) | |
Series Sound Department | |||
| Bill Ford | .... | sound mixer (94 episodes, 1969-1973) | |
| Sid Lubow | .... | sound effects editor (52 episodes, 1969-1971) | |
| Woodruff H. Clarke | .... | sound mixer (28 episodes, 1968-1969) | |
| James Nelson | .... | supervising sound editor (28 episodes, 1968-1969) | |
| Jack A. Finlay | .... | sound effects editor (24 episodes, 1972-1973) | |
| Jerry Rosenthal | .... | sound effects editor (21 episodes, 1971-1972) | |
| Leon M. Leon | .... | sound mixer (2 episodes, 1971) | |
| Jim Bullock | .... | sound editor (unknown episodes) | |
Series Special Effects by | |||
| Bob Overbeck | .... | special effects (unknown episodes) | |
Series Stunts | |||
| Julie Ann Johnson | .... | stunt double (unknown episodes) | |
Series Casting Department | |||
| Don Genson | .... | casting (26 episodes, 1969-1970) | |
Series Costume and Wardrobe Department | |||
| Constance Edney | .... | costumer: women / women's costumer / ... (33 episodes, 1968-1972) | |
| Leonard Mann | .... | costumer: men / men's costumer / ... (33 episodes, 1968-1972) | |
| Joseph Magnin | .... | wardrobe / wardrobe furnisher (3 episodes, 1969-1971) | |
Series Editorial Department | |||
| Howard French | .... | supervising film editor / supervising editor (58 episodes, 1968-1971) | |
| Howard French | .... | supervising film editor (5 episodes, 1970-1971) | |
Series Music Department | |||
| Ray Evans | .... | composer: theme music / composer: theme song "Que Sera, Sera" (128 episodes, 1968-1973) | |
| Jay Livingston | .... | composer: theme music / composer: theme song "Que Sera, Sera" (128 episodes, 1968-1973) | |
| Earle Dearth | .... | music editor (100 episodes, 1969-1973) | |
| Don Genson | .... | music consultant (8 episodes, 1969-1970) | |
Series Other crew | |||
| Maggie Lawrence | .... | script supervisor (33 episodes, 1968-1972) | |
| Sidney Morse | .... | story editor (28 episodes, 1968-1969) | |
| Kay Stewart | .... | dialogue coach (28 episodes, 1968-1969) | |
| Jack Elinson | .... | script consultant (25 episodes, 1969-1971) | |
| Norman Paul | .... | script consultant (25 episodes, 1969-1971) | |
|
|
|
|
|
| The Devil Wears Prada | Love Actually | Peyton Place | Bulldog Edition | Cape of Good Hope |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Comedy section | IMDb USA section |
You may add a new episode for this TV series by clicking the 'add episode' button
You all know the backdrop of this series so I won't bore you with it. I love this show and I too like the season 2 and 3 shows the best. As far as format changes go, I think they did a really good job going from season 1 to 2 to 3. It was a logical progression, Doris gets a job, then she moves the family into town etc. I hate the way they changed the format in season 4 and 5. Had I been around at that time to put my two cents in I would have done several things. 1. In season 4 I would have left things exactly as they were in season three and brought in the Peter Lawford character as Doris's serious love interest and possible step father for the boys. This along with the normal goings on would have brought yet another logical advancement. 2. In season 5 I would have Doris and Peter get engaged, Doris gets a new Boss and is promoted to a staff writer position at the magazine. The season finale would have been Doris and Peter's wedding with the entire cast from all the seasons in attendance. This could have been a huge ratings getter and a great way to end the series. I just don't know what they were thinking when they did 4 and 5. There are some episodes that are good but the show is missing the heart it had in 1,2, and 3. As was stated by another poster we cant go back and change history but thankfully there is enough good in seasons 1 2 and 3 that I watch them all the time. A must for Doris Fans.