Overview
Release Date:
21 September 1968 (USA)
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Plot:
Two regular police officers patrol Los Angeles.
full summary
Awards:
Nominated for Primetime Emmy.
Another 4 nominations
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User Comments:
A Jack Webb Junkie born January named John
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| Dennis Donnelly | | (25 episodes, 1971-1975) |
| Hollingsworth Morse | | (18 episodes, 1968-1975) |
| Lawrence Doheny | | (13 episodes, 1972-1974) |
| James Neilson | | (12 episodes, 1971-1972) |
| Joseph Pevney | | (11 episodes, 1969-1975) |
| Christian I. Nyby II | | (11 episodes, 1971-1975) |
| Alan Crosland | | (10 episodes, 1968-1970) |
| Phil Rawlins | | (9 episodes, 1968-1969) |
| Christian Nyby | | (8 episodes, 1970-1975) |
| Robert Douglas | | (6 episodes, 1969-1970) |
| Sam Freedle | | (5 episodes, 1972-1973) |
| Bruce Kessler | | (3 episodes, 1969-1970) |
| Oscar Rudolph | | (3 episodes, 1970-1971) |
| Jack Webb | | (2 episodes, 1968-1974) |
| Alan Crosland Jr. | | (2 episodes, 1969-1971) |
| Ozzie Nelson | | (2 episodes, 1971) |
| Robert M. Leeds | | (2 episodes, 1972-1973) |
| Norman Abbott | | (2 episodes, 1974) |
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| Leo Gordon | | (unknown episodes) |
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| Robert A. Cinader | | (174 episodes, 1968-1975) |
| Jack Webb | | (174 episodes, 1968-1975) |
| Leo Gordon | | (20 episodes, 1971-1975) |
| Michael Donovan | | (17 episodes, 1969-1973) |
| Stephen J. Cannell | | (15 episodes, 1971-1973) |
| Preston Wood | | (12 episodes, 1968-1973) |
| Robert I. Holt | | (11 episodes, 1968-1973) |
| James Doherty | | (11 episodes, 1969-1972) |
| Richard Morgan | | (6 episodes, 1968-1969) |
| Guerdon Trueblood | | (5 episodes, 1969-1970) |
| John T. Dugan | | (3 episodes, 1970-1971) |
| Walter Dallenbach | | (3 episodes, 1974-1975) |
| William Keenan | | (3 episodes, 1974-1975) |
| Jack Hawn | | (2 episodes, 1969) |
| Herbert Purdom | | (2 episodes, 1971) |
| Leonard F. Hill | | (2 episodes, 1972-1973) |
| Jeffrey Lewis | | (2 episodes, 1972-1973) |
| Jim Carlson | | (2 episodes, 1973-1974) |
| Bryan Joseph | | (2 episodes, 1973-1974) |
| Kenneth Johnson | | (2 episodes, 1973) |
| Edward J. Lakso | | (2 episodes, 1973) |
| Arnold Somkin | | (2 episodes, 1974) |
| Jerry Thomas | | (2 episodes, 1974) |
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| Pat Boyette | | (unknown episodes) |
| William R. Cox | | (unknown episodes) |
| Howard Dimsdale | | (unknown episodes) |
| John Kingsbridge | | (unknown episodes) |
| James E. Moser | | (unknown episodes) |
| Wilton Schiller | | (unknown episodes) |
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| Edward K. Dodds | .... | unit production manager / production manager / ... (26 episodes, 1968-1969) |
| Mel A. Bishop | .... | unit manager (11 episodes, 1970-1972) |
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| Vincent Dee | .... | costume supervisor (32 episodes, 1968-1971) |
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| Richard Belding | .... | editorial supervisor / editorial supervision (39 episodes, 1968-1972) |
| Robert Brower | .... | color coordinator (29 episodes, 1968-1970) |
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| Stanley Wilson | .... | music supervisor / music supervision (29 episodes, 1968-1970) |
| Hal Mooney | .... | music supervision / music supervisor (5 episodes, 1972) |
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| Tom Williams | .... | assistant to producer / assistant to executive producer (31 episodes, 1968-1970) |
| Edward M. Davis | .... | technical advisor: Los Angeles Police Department (12 episodes, 1969-1972) |
| Stephen J. Cannell | .... | executive story consultant / executive story editor / ... (6 episodes, 1971-1972) |
| John T. Dugan | .... | executive story consultant (4 episodes, 1970-1971) |
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| Bryan Joseph | .... | executive story consultant (unknown episodes) |
| David H. Vowell | .... | story editor (unknown episodes) |
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Additional Details
Runtime:
30 min (174 episodes)
Color:
Color (Technicolor)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
In keeping with the reputation of Jack Webb's series being scrupulously accurate about police procedures, select episodes of this series were used in police academies as instructional films.
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Goofs:
Continuity: Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt.
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Quotes:
Pete Malloy:
You know what this is?
Jim Reed:
Yes sir, it's a police car.
Pete Malloy:
This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi channeled DFE radio and an electronic siren capable of admitting three variables...
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The title is my attempt to honor the classic Johnny Carson "Claude Cooper copper clappers" bit with Jack Webb. As a kid I tried to never miss an episode of any Jack Webb series. Adam 12 being one of them. I really enjoyed how the relationship between Reed and Malloy developed throughout out the seasons. From the beginning when Malloy was a bit distant from his partner but still very mother hen-like to the later years when the two were comfortable with each other and taking little jabs at each other between calls.
One of my favorites was the episode when Reed's wife was pregnant, and the Reeds, Malloy, and his girl friend were trapped in a ghost town by a motorcycle gang. That episode still stands out in my mind. I enjoyed how the series dealt with more day to day stuff than the impossible situations shown in many other cop shows. It was amazing how a day's work could be squeezed into a 30 min show (22 w/o commercials).