After their shift Malloy is to drop off his car with a mechanic and Reed is to pick him up but Malloy is hijacked by a man and woman after leaving the station. They want her boyfriend released from ...
Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
Sgt. Joe Friday is called back from vacation to work with his partner, Off. Bill Gannon, on a missing persons case. Two amateur female models and a young war widow have vanished, having ... See full summary »
A realistic police drama following the lives of two officers of the LAPD, veteran Pete Malloy and his rookie partner, Jim Reed. Done in a spare, almost "docudrama" style, each episode covered a variety of incidents that the officers encountered during a shift, from the tragic to the trivial. Written by
Marg Baskin <email@example.com>
While the series used 1 ADAM 12, LAPD units used odd numbers for beats, so they would have been 1 Adam 11 or Adam 13. The only even numbers were used by the supervisors (I.E. Sgt's) and they would have been the numbers 10, 20, etc. so 1 Adam 12 would never have been an actual assigned number. See more »
In all episodes throughout the series, during any interior scenes showing the captain's office, which is depicted as having a door and windows facing the hallway and a wall with a window looking into the adjoining office, there is never any glass in either the doors or windows. See more »
A great TV Police Show of the 1960's, and in fact only one of the very few that I would ever watch. So good in fact, that I joined the Police in 1970, and was a Police Officer until 2003. Yes, this show was very down to earth with its stories, and a great example of the every day to day duties performed by uniform Police (its the same "Job" all over the world!).
18 of 18 people found this review helpful.
Was this review helpful to you?