A remake of the popular and long-running 70's poilce drama of the same name. Officers Doyle and Grant patrolled the streets of Los Angeles in squad car Adam-12, trying to keep the city safe... See full summary »
A realistic police drama following the lives of two officers of the LAPD, veteran Pete Malloy and his rookie partner, Jim Reed. Done in a spare, almost "docudrama" style, each episode covered a variety of incidents that the officers encountered during a shift, from the tragic to the trivial. Written by
Marg Baskin <firstname.lastname@example.org>
The dispatcher voice on the program was played by Shaaron Claridge. Claridge was a real L.A. dispatcher. Producer Jack Webb thought using a real dispatcher for the voiceovers would lend authenticity to the program. Webb did the same thing for his later series, "Emergency!", casting a real-life emergency dispatcher to voice the role. See more »
In all episodes throughout the series, during any interior scenes showing the captain's office, which is depicted as having a door and windows facing the hallway and a wall with a window looking into the adjoining office, there is never any glass in either the doors or windows. See more »
The title is my attempt to honor the classic Johnny Carson "Claude Cooper copper clappers" bit with Jack Webb. As a kid I tried to never miss an episode of any Jack Webb series. Adam 12 being one of them. I really enjoyed how the relationship between Reed and Malloy developed throughout out the seasons. From the beginning when Malloy was a bit distant from his partner but still very mother hen-like to the later years when the two were comfortable with each other and taking little jabs at each other between calls.
One of my favorites was the episode when Reed's wife was pregnant, and the Reeds, Malloy, and his girl friend were trapped in a ghost town by a motorcycle gang. That episode still stands out in my mind. I enjoyed how the series dealt with more day to day stuff than the impossible situations shown in many other cop shows. It was amazing how a day's work could be squeezed into a 30 min show (22 w/o commercials).
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