A door-to-door search for a missing girl in a red sweater leads to a foot chase with the pedophile who kidnapped the youngster. Malloy catches the suspect, then loses his cool when the suspect makes ...
After their shift Malloy is to drop off his car with a mechanic and Reed is to pick him up but Malloy is hijacked by a man and woman after leaving the station. They want her boyfriend released from ...
Skip Tarkenton is a young animator who's just started with a low-budget animation company that produces "The Dippy Duck Show." As new guy, Skip is often the brunt of office politics, and ... See full summary »
Comedy about two women who live together in a rather large house. Dolores, who is the black one, has two boys Marcus (Santana) and Darren (Richmond). Cathy, who is the white one, has two ... See full summary »
Kirk Hartman is no longer a mischievous screw up teenage son and school kid but has a job as a graphical artist and lives alone in the city where he works. When his parents move to Europe, ... See full summary »
A realistic police drama following the lives of two officers of the LAPD, veteran Pete Malloy and his rookie partner, Jim Reed. Done in a spare, almost "docudrama" style, each episode covered a variety of incidents that the officers encountered during a shift, from the tragic to the trivial. Written by
Marg Baskin <firstname.lastname@example.org>
Star Martin Milner's daughter, Amy Milner, made a guest appearance playing the daughter of a shopkeeper shot during a robbery. Look for her as Debbie McMahon in episode #164, titled "Victim of the Crime." See more »
Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt. See more »
You know what this is?
Yes sir, it's a police car.
This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi channeled DFE radio and an electronic siren capable of admitting three variables, wale, yelp, and alert. It also serves as an outside radio speaker and public address system. The automobile has two shotgun racks, one attached ...
[...] See more »
The episode "Elegy for a Pig" was broadcast without the usual opening credits sequence. Instead, the voice of series creator Jack Webb can be heard reading the credits. See more »
Just like his other two greats, "Dragnet" and "Emergency!", this was a series that was both entertaining and thoughtful. The stories were action packed, but also looked realistically at police life. A great part of the series was the 60's/70's teenagers' point of view. The teenagers, even though they called the police 'pigs', the cops still helped them when they needed it. A great, great series, I like it even more than "NYPD Blue".
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