After their shift Malloy is to drop off his car with a mechanic and Reed is to pick him up but Malloy is hijacked by a man and woman after leaving the station. They want her boyfriend released from ...
A remake of the popular and long-running 70's poilce drama of the same name. Officers Doyle and Grant patrolled the streets of Los Angeles in squad car Adam-12, trying to keep the city safe... See full summary »
Sgt. Joe Friday is called back from vacation to work with his partner, Off. Bill Gannon, on a missing persons case. Two amateur female models and a young war widow have vanished, having ... See full summary »
A realistic police drama following the lives of two officers of the LAPD, veteran Pete Malloy and his rookie partner, Jim Reed. Done in a spare, almost "docudrama" style, each episode covered a variety of incidents that the officers encountered during a shift, from the tragic to the trivial. Written by
Marg Baskin <firstname.lastname@example.org>
The patrol cars in the series were not real LAPD cruisers, but were purchased by Universal Studios from Chrysler Corporation and American Motors, and outfitted by the prop department to LAPD cruiser specs. In order, the cars were:
1: 1967 Plymouth Belvedere 383 V8 ("pilot" only)
2: 1968 Plymouth Belvedere 383 V8 (season one)
3: 1969 Plymouth Belvedere 383 V8 (season two)
4: 1971 Plymouth Satellite 383 V8 (season three)
5: 1972 and 1973 AMC Matador 401 V8 (seasons four and on)
Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt. See more »
You know what this is?
Yes sir, it's a police car.
This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi channeled DFE radio and an electronic siren capable of admitting three variables, wale, yelp, and alert. It also serves as an outside radio speaker and public address system. The automobile has two shotgun racks, one attached ...
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The episode "Elegy for a Pig" was broadcast without the usual opening credits sequence. Instead, the voice of series creator Jack Webb can be heard reading the credits. See more »
I just wanted to say that this is definitely the best cop show ever to grace the airwaves. There are so few shows out there that focus on uniformed cops that it's nice to see something showcase the men (and women) that bust their butts protecting us common folks. I also like the "very little about their personal lives" approach. This is a cop show, so show us cops on duty. So many of today's cop shows care more about who's sleeping with who than the actually job of fighting crime. I want to thank Martin Milner and Kent McCord *not that they'd read this! :)* for making cops seem real in the eyes of so many that see cops as nothing but those horribly corrupt people that pull us over for going 4 over the speed limit. These guys did good!
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