After their shift Malloy is to drop off his car with a mechanic and Reed is to pick him up but Malloy is hijacked by a man and woman after leaving the station. They want her boyfriend released from ...
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
Sgt. Joe Friday is called back from vacation to work with his partner, Off. Bill Gannon, on a missing persons case. Two amateur female models and a young war widow have vanished, having ... See full summary »
A realistic police drama following the lives of two officers of the LAPD, veteran Pete Malloy and his rookie partner, Jim Reed. Done in a spare, almost "docudrama" style, each episode covered a variety of incidents that the officers encountered during a shift, from the tragic to the trivial. Written by
Marg Baskin <firstname.lastname@example.org>
The metallic blue Corvette Kent McCord is shown driving in several episodes was the same make/model car Martin Milner drove in Route 66. See more »
At the opening of every episode, the radio announcer makes a call to Adam-12 and reports some crime in progress. Adam-12 then speeds to the scene - without the benefit of the address. See more »
You know what this is?
Yes sir, it's a police car.
This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi channeled DFE radio and an electronic siren capable of admitting three variables, wale, yelp, and alert. It also serves as an outside radio speaker and public address system. The automobile has two shotgun racks, one attached ...
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The episode "Elegy for a Pig" was broadcast without the usual opening credits sequence. Instead, the voice of series creator Jack Webb can be heard reading the credits. See more »
Just like his other two greats, "Dragnet" and "Emergency!", this was a series that was both entertaining and thoughtful. The stories were action packed, but also looked realistically at police life. A great part of the series was the 60's/70's teenagers' point of view. The teenagers, even though they called the police 'pigs', the cops still helped them when they needed it. A great, great series, I like it even more than "NYPD Blue".
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