Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
After an artist is threatened by the yakuza into creating valuable but highly illegal pornography, the law aims to execute him. Zatoichi, having been honor bound to protect the man and his family, must now run against the law.
Cowritten by star Shintaro Katsu, this adventure pits Zatoichi against one of his most diabolical foes: a blind yakuza boss whose reign of terror and exploitation has made him nearly mythic... See full summary »
Zatoichi tries to unrest the mob rule over a small village all while the gang leader's bodyguard is actually the Yojimbo, secretly taking the gang down from the inside. Will the two heroes realize in time that they are on the same side?
Zatoichi arrives in a town where a gambling house is kidnapping its poor, debt-ridden patrons. A rival establishment moves to pay those debts and free the peasants, but this house's seemingly altruistic boss is actually laying the groundwork for a ruthless money-grabbing scheme. The sixteenth Zatoichi film is the first from its star's own Katsu Productions, and is one of the series' most daring. Written by
Tatsuo Endo's fifth Zatoichi movie. He first appeared in the 3rd Zatoichi movie as a minor character and for the 7th, 12th, 15th and this film he played a villainous yakuza boss who always ended up being killed by Zatoichi in a battle. See more »
If this had been done earlier in the Zatoichi series it could have been one of the best. It is good enough, as most of them are, but the plot and the characters seem too complicated for the series at this point. The situation is unusually intriguing: the farmers in the province have two champions, a benevolent boss (for once) and a philosopher-samurai who starts a sort of Grange; both run afoul of the usual local gangsters, who want the crops to fail because it increases their gambling revenues and their chances to snap up some land; their chief or powerful ally is a seeming puritan who is death on drinking and gambling but secretly indulges his own perverse appetites. (He also resembles Dracula, as the villains in the later Zatoichi movies tend increasingly to do.) These characters have enough meaning so that they deserved to be set against Zatoichi as he was drawn originally, but by now he has lost many of his nuances, and the changes in some of the characters, such as the good boss and the angry sister of a man Zatoichi has killed, need more time then the movie has to give, so that the story seems choppy, as if some scenes were missing. Other than that, the movie shows the virtues of most of the others in the series: good acting, sometimes lyrical photography, the creation of a vivid, believable, and uniquely recognizable landscape (the absence of which is obvious in the occasional episode where the director just misses it), and a technical quality that of its nature disguises itself: the imaginatively varied use of limited sets so their limitations seem not to exist. And of course there is the keynote actor, whose presence, as much as his performance, makes it all work. This must be one of the best-sustained series in movie history.
7 of 10 people found this review helpful.
Was this review helpful to you?