Seven mini-stories of adultery: "Funeral Possession," a wayward widow at her husband's funeral; "Amateur Night," angry wife becomes streetwalker out of revenge; "Two Against One," seemingly... See full summary »
The crooks in London know how it works. No one carries guns and no one resists the police. Then a new gang appears that go one better. They dress as police and steal from the crooks. This ... See full summary »
A pirate crewman kills his captain after learning where he has hidden his buried treasure. However, as he begins to lose his memory, he relies more and more on the ghost of the man he just ... See full summary »
American Anna Vorontosov teaches in a rural school on New Zealand's North Island. Her class of younger students is comprised largely of Maoris. She feels that western methods are not the ... See full summary »
Under provincial Italian law at the time, once a roof is erected, the occupants cannot be evicted from a building. This comedy follows the efforts of a family to erect the roof on a house ... See full summary »
Vittorio De Sica
Seven mini-stories of adultery: "Funeral Possession," a wayward widow at her husband's funeral; "Amateur Night," angry wife becomes streetwalker out of revenge; "Two Against One," seemingly prudish girl turns out otherwise; "Super Simone," wife vainly attempts to divert her over-engrossed writer husband; "At the Opera," a battle over a supposedly exclusive dress; "Suicides," a death pact; "Snow," would-be suitor is actually a private detective hired by jealous husband. Written by
Herman Seifer <email@example.com>
Vittorio Gassman is not listed in the on-screen credits even though he plays the male lead in the "Two Against One" segment and his name and picture appeared on US posters for the film. See more »
In "The Suicides" vignette, the characters scrawl a French profanity on the wall of their hotel room, yet when they play a long scene in front of a mirror in which the word is reflected, the word doesn't appear backwards as it normally would. See more »
Seven mini plots, funny or sad but all in all quite witty. How far can sex, or love, or the urge for something new... can turn a man into a fool !
De Sica's movie a typical example of the 1960's Italian cinema. He could have adopted an even more brittle style and turned the whole thing into a complete farce. May be this movie is a bit too serious.
6 of 15 people found this review helpful.
Was this review helpful to you?