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Weekend (1967)
"Week End" (original title)

Not Rated  |   |  Comedy, Drama  |  27 September 1968 (USA)
7.3
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Ratings: 7.3/10 from 8,400 users  
Reviews: 97 user | 65 critic

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »

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Title: Weekend (1967)

Weekend (1967) on IMDb 7.3/10

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3 wins & 1 nomination. See more awards »
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Cast

Credited cast:
Mireille Darc ...
Jean Yanne ...
Jean-Pierre Kalfon ...
Le chef du Front de Libération de la Seine et Oise
Rest of cast listed alphabetically:
...
Himself (archive footage)
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Storyline

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

27 September 1968 (USA)  »

Also Known As:

Weekend  »

Filming Locations:


Box Office

Budget:

$250,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The intertitle before the slaughter of the pig reads "Thermidor", which is the name of the month of the French revolutionary calendar when Robespierre was executed. See more »

Quotes

Corinne: It's rotten of us, isn't it? We've no right to burn even a philosopher.
Joesph Balsam: Can't you see they're only imaginary characters?
Corinne: Why is she crying, then?
Joesph Balsam: No idea. Let's go.
Corinne: We're little more than that ourselves.
See more »

Connections

Referenced in Eyes Wide Shut (1999) See more »

Soundtracks

Allo, tu m'entends
By 'Dalida'
Sung by 'Jean-Pierre Leaud'
See more »

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User Reviews

A surrealist, comic nightmare of roadkill, class struggle, murder and politics
10 February 2003 | by (Lisbon) – See all my reviews

Jean-Luc Godard's cruelly ironic portrayal of the apocalypse of Western civilization through automobile accidents and petty greed effectively marked the breaking point in his career; after this, he retreated into an overtly political militant cinema for most of the late sixties/early seventies, following some of the leads here first introduced. Whatever plot there is is slowly deconstructed and disassembled throughout the film's length, as a weekend drive by cynical bourgeois couple Mireille Darc and Jean Yanne turns into a surrealist, comic nightmare of roadkill, class struggle, murder and politics as they have to face the progressively more chaotic consequences of their blind ambition and desire for power. Strikingly photographed in long one-take tracking shots, the most celebrated of which showing an apparently endless traffic jam, the film seems to defend the revolt of the proletariat until, by the end, the bourgeois wife is down with the revolutionary Liberation Front of the Seine and Oise, in a cruelly ironic plot twist that literally underlines the cannibal side of politics. With hindsight, many say that "Week End", released in 1967, effectively announced the May '68 urban uprisings in Paris and marked the beginning of Godard's politically active phase; personally, I think that Godard sensed the winds of change and jumped on the political bandwagon as a means to find the drive for his cinema to grow. And the cool, cruel detachment he bestows on the politics on display is enough to prove that his irony has seldom been more incisive than when he's being revolutionary.


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