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Weekend (1967)
"Week End" (original title)

 -  Comedy | Drama  -  27 September 1968 (USA)
7.3
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Ratings: 7.3/10 from 8,180 users  
Reviews: 97 user | 65 critic

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse ... See full summary »

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Title: Weekend (1967)

Weekend (1967) on IMDb 7.3/10

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3 wins & 1 nomination. See more awards »
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Cast

Credited cast:
Mireille Darc ...
Jean Yanne ...
Jean-Pierre Kalfon ...
Le chef du Front de Libération de la Seine et Oise
Rest of cast listed alphabetically:
...
Himself (archive footage)
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Storyline

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

27 September 1968 (USA)  »

Also Known As:

Weekend  »

Filming Locations:


Box Office

Budget:

$250,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The chant by the drummer is from the Comte de Lautréamont's "Chants de Maldoror". See more »

Quotes

Roland: What a rotten film. All we meet are crazy people.
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Connections

Featured in Jean-Luc Godard (1988) See more »

Soundtracks

Allo, tu m'entends
By 'Dalida'
Sung by 'Jean-Pierre Leaud'
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User Reviews

 
Goddard's middle finger to just about everything
5 November 2007 | by (Worcester, MA) – See all my reviews

I risk sounding like a film snob when I say this, but I really enjoy Jean-Luc Goddard's early work. Sure, his post-narrative films (everything he made after "Week End") are pointless and dull, but his narrative films are always fascinating to watch. Often, they're so innovative they become quite entertaining. "Week End" is one of his finest from the classic Goddard period. Its one of the angriest and shockingly nihilistic movies ever made, one that seems to be giving a giant middle finger to just about everything. There's not a single likable character in the whole thing, and our two "protagonists" are among the most despicable characters ever. The opening title card proclaiming this to be a "Film found in a dump" is really accurate.

Despite the intense misanthropy on screen, its oddly quite enjoyable to watch. Because the two leads are so detestable, we really never care about the horrible crap that happens to them. What does happen to them is constantly surreal and full of revolutionary political undertones. If you aren't big on subtext, don't worry. The film is constantly hypnotizing in its sheer strangeness that if the politics are lost on you, it won't matter too much.

The direction by Goddard is pretty much what we've come to expect from him. Despite his projects being very different from each other, his direction style seemed to remain constant. Its slowly paced, occasionally aggravatingly so, but Goddard doesn't really care about that either it seems. The acting isn't anything extraordinary, but the performers act well as mouthpieces for the themes and events. "Week End" is still one of the greatest films ever made and possibly Goddard's most enjoyable production. (10/10)


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