This film is about the experience of dying. Five terminal patients in a Palliative Care Unit at Toronto's Grace Hospital share the last days of their lives and deaths with a film crew... See full synopsis »
Elderly residents of a Toronto nursing home cope with loss, loneliness and other heartbreaking challenges of growing old, as the home's staff work tirelessly to provide an environment of dignified, compassionate care.
Based on the biography of Olive Fredrickson, It tells of her life as a girl, then a trapper's wife and later a widow with three small children surviving under rugged pioneer conditions in ... See full summary »
A love romance between older, respectable engineer that came in the industrial town to do some expert job and young hairdresser in whose house he stayed in and the consequences of that ... See full summary »
Martinique, in the early 1930s. Young José and his grandmother live in a small village. Nearly everyone works cutting cane and barely earning a living. The overseer can fine a worker for ... See full summary »
Claude is a Jew. Because of the risks of an arrest (France is occupied by the Nazis), his parents send him away to an elderly couple in the country. Pepe, the husband, is a Petain supporter... See full summary »
The highlights of a 12-hour interview with Aaron Payne, alias Jason Holliday, a former houseboy, would-be cabaret performer, and self-proclaimed hustler who, while drinking and smoking ... See full summary »
Allan King's first feature documentary is a look inside a home for troubled kids, kids who tend to lash out. At Warrendale, they practice a bizarre "holding" technique where children are physically restrained by one or several adults, sometimes when there's no obvious need for it. I question the effectiveness of this... yes, it stops them from hurting themselves or others, but how do you NOT get panicky when someone much larger is clutching you in a vice grip, or even lying on top of you? When a child protests, the staff seems puzzled that they wouldn't want someone's hands and arms and legs all over them when they're trying to have an emotional moment. And the staff often seem to be giving mixed messages, trying to calm a child down while simultaneously screaming orders at them to express their feelings. I got the impression that these guys, although well-meaning, had little idea of what the hell they were doing, putting blind faith in various feelgood philosophies and the healing power of overbearing physical contact. But I must say that in general the kids seemed used to the treatment, and there are even a couple of apparent breakthroughs. At any rate, it's an intense, intimate piece of documentary filmmaking (or "actuality drama," as King calls it), with moments that can leave you gasping for breath, and genuinely moving scenes.
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