| Photos (See all 11 | slideshow) |
| John Wayne | ... | Taw Jackson | |
| Kirk Douglas | ... | Lomax | |
| Howard Keel | ... | Levi Walking Bear | |
| Robert Walker Jr. | ... | Billy Hyatt (as Robert Walker) | |
| Keenan Wynn | ... | Wes Fletcher | |
| Bruce Cabot | ... | Pierce | |
| Joanna Barnes | ... | Lola | |
| Valora Noland | ... | Kate | |
| Bruce Dern | ... | Hammond | |
| Gene Evans | ... | Deputy Hoag | |
| Terry Wilson | ... | Sheriff Strike | |
| Don Collier | ... | Shack | |
| Sheb Wooley | ... | Snyder | |
| Ann McCrea | ... | Felicia | |
| Emilio Fernández | ... | Calita (as Emilio Fernandez) | |
| Frank McGrath | ... | Bartender | |
| Chuck Roberson | ... | Brown | |
| Boyd 'Red' Morgan | ... | Early (as Red Morgan) | |
| Hal Needham | ... | Hite | |
| Marco Antonio | ... | Chief Wild Horse | |
| Perla Walters | ... | Rosita | |
| rest of cast listed alphabetically: | |||
| Chuck Hayward | ... | Blacksmith (uncredited) | |
| Margarite Luna | ... | Asian Girl (uncredited) | |
| Cliff Lyons | ... | Outrider (uncredited) | |
| Miko Mayama | ... | Asian Girl (uncredited) | |
| Midori | ... | Asian Girl (uncredited) | |
| José Trinidad Villa | ... | Townsman at Bar (uncredited) | |
Directed by | |||
| Burt Kennedy | |||
Writing credits | ||
| Clair Huffaker | (screenplay) | |
| Clair Huffaker | (novel "Badman") | |
Produced by | |||
| Marvin Schwartz | .... | producer | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| William H. Clothier | (director of photography) | ||
Film Editing by | |||
| Harry W. Gerstad | (as Harry Gerstad) | ||
Art Direction by | |||
| Alfred Sweeney | |||
Set Decoration by | |||
| Ray Moyer | |||
Costume Design by | |||
| Oscar Rodriguez | |||
Makeup Department | |||
| Dave Grayson | .... | makeup artist | |
| Donald W. Roberson | .... | makeup artist | |
| Bud Westmore | .... | makeup supervisor (uncredited) | |
Production Management | |||
| Joseph C. Behm | .... | unit production manager (as Joseph Behm) | |
Second Unit Director or Assistant Director | |||
| Al Jennings | .... | assistant director | |
| Cliff Lyons | .... | second unit director | |
Art Department | |||
| Julius Rosenkrantz | .... | property | |
Sound Department | |||
| Robert R. Bertrand | .... | sound | |
| Clem Portman | .... | re-recording | |
| James Nelson | .... | supervising sound editor (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | mattes | |
Stunts | |||
| Jim Burk | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Everett Creach | .... | stunts (uncredited) | |
| Eddy Donno | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
| Tom Hennesy | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Frank McGrath | .... | stunts (uncredited) | |
| Gary McLarty | .... | stunts (uncredited) | |
| Boyd 'Red' Morgan | .... | stunts (uncredited) | |
| Hal Needham | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Alex Sharp | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
| Robert Warner | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bernie Abramson | .... | still photographer (uncredited) | |
| Álex Phillips Jr. | .... | camera operator: second unit (uncredited) | |
Music Department | |||
| Dimitri Tiomkin | .... | conductor | |
| Gil Grau | .... | orchestrator (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
Other crew | |||
| Marshall J. Wolins | .... | script supervisor | |
| Orin Borsten | .... | publicist (uncredited) | |
| 'Chema' Hernandez | .... | head wrangler (uncredited) | |
| Arvo Ojala | .... | gun coach (uncredited) | |
| Arvo Ojala | .... | technical director (uncredited) | |
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| Son of Zorro | Rio Bravo | For a Few Dollars More | Rooster Cogburn | Chisum |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I didn't like the "War Wagon" when it was first released, I found it rather silly and vaguely offensive. The problem was me, I was not ready to recognize, let alone relate to, a subtle parody of the western genre. I should have been more receptive because in the mid-60s a huge amount of genre parody began to appear on television ("Batman", 'Wild Wild West", "F- Troop", "Get Smart"), which could be traced back to gently tongue-in-cheek series like "Maverick" and "Zorro".
"Cat Ballou" (1965) was the first feature length parody of Western generic clichés. But its parody elements were obvious, even if you were not that familiar with the conventions of the Western genre you could recognize exaggerations and revisions. In addition, up to this point John Wayne films had given the Western genre only very traditional treatments.
But "The War Wagon" was only the first example of director Burt Kennedy's tweaking of the genre. He would follow it up with "Support Your Local Sheriff" (1969), "Hannie Caulder" (1971), and "Support Your Local Gunfighter" (1971). Wayne would toy with parodic elements two years later with "True Grit", and would stay much less traditional with the remainder of his westerns.
"The War Wagon" is also a genre hybrid as western is mixed with buddy picture and big heist movie. Taw (John Wayne) recruits an old enemy Lomax (Kirk Douglas) as he seeks revenge on a ruthless mine owner (Bruce Cabot) who not only framed and sent to him prison, but appropriated his ranch and personal possessions after a huge gold strike was discovered on ranch property (here we go with the exaggeration-the only things missing are stealing Taw's wife, adopting his children, and leaving his toilet seat up). Cabot transports his gold in a "Wild Wild West" inspired armored wagon.
The interplay between Wayne and Douglas (who always seems right on the verge of accepting Cabot's standing offer of $12,000 to kill Wayne) is clever and sarcastic, working with the many exaggerated elements to provide the film's considerable humor.
"The War Wagon" finds Wayne on the wrong side of established authority, for at least the third time as his Ethan Edwards character in "The Searchers" also operated well outside the law and Quirt Evans in "Angel and the Badman" had to be bad enough that he could be reformed by Gail Russell.
Howard Keel plays the civilized Indian sidekick mostly for comic relief and the characters actually demonstrate an awareness of the movie context when they self-reflexively (deliberately drawing attention to their playing characters in a movie) refer to a tactic as an old Indian trick. Ultimately the joke (and the irony) is on Wayne and Douglas, as their seemingly one-sided deal with the Indians (a few blankets in exchange for their participation) causes the Indians to end up with most the rewards.
"The War Wagon's" understated parody style would inspire John Huston ("The Life & Times Of Judge Roy Bean") and George Roy Hill ("The Sting"); and of course many others.
Then again, what do I know? I'm only a child.