In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Susy was recently blinded and recently married. Susy's husband, Sam, is asked to hold a doll for a woman he doesn't know as they get off an airplane. The woman disappears. Later, she's found dead by her former associates, Mike and Carlino, small-time hoods, in Susy's basement apartment. (Both occupants of the apartment are then absent.) The doll woman's newer partner in crime, Harry Rote, who murdered her for self-dealing, presses Mike and Carlino into a scheme to recover the doll, which contains a fortune in smuggled heroin. After disposing of the body, the thugs return while Susy is present to continue their search. They assume Susy's blindness will enable them to search her apartment under her very nose for the doll, which contains a fortune in smuggled heroin. In Sam's absence, Mike pretends to be an old friend of Sam's, while the three together spin for Susy a story of a murder investigation of her husband from which only the finding of the missing doll can save him. Rote is a ... Written by
Each of the products in the refrigerator (an all-important prop) were carefully angled so that no brand names were recognizable. See more »
Susy demonstrates excellent hearing and observation skills: she can tell when people are in her apartment, notices Carlino dusting for prints, people fiddling with the blinds, Roat's squeaky shoes, etc. However, she does not appear to notice the rotary-dial mismatch between the telephone number Mike Tallman says he's calling and the number he actually dials. It's easy to tell what number is being dialed if you listen and count the number of clicks. See more »
Great thriller, great acting, great music, great directing.
My title sums it all. I was very surprised at how good this film was. I found it very similar to a movie like "Rear Window". One other person's comments was titled "The best Hitchcock film that Hitchcock never made". It think that is very true. Most of the film is shot within this basement apartment unit. And the thriller is so great because of Hepburn being blind and these three bad guys freely walking into her unit and introducing themselves as her husband's friends, or police, or some neighbour. But they all forget one thing: She uses her ears like no regular person does, she doesn't need eyes. But that is where the thriller kicks in. Sometimes it is pretty painful for us to watch (us who can see) because she seems so vulnerable. Wrapping around of all this is Henry Mancini's music. He is using a technique that he also used in the film "Night Visitor" where there is this melody on the keyboard and after everynote there is the detuned note following it. Pretty cool effect. One thing I didn't get though, There is a scene where the room looks pretty dark and Alan Arkin still has his sun glasses on. I loved this film, 10 out of 10.
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