Susy was recently blinded and recently married. Susy's husband, Sam, is asked to hold a doll for a woman he doesn't know as they get off an airplane. The woman disappears. Later, she's found dead by her former associates, Mike and Carlino, small-time hoods, in Susy's basement apartment. (Both occupants of the apartment are then absent.) The doll woman's newer partner in crime, Harry Rote, who murdered her for self-dealing, presses Mike and Carlino into a scheme to recover the doll, which contains a fortune in smuggled heroin. After disposing of the body, the thugs return while Susy is present to continue their search. They assume Susy's blindness will enable them to search her apartment under her very nose for the doll. In Sam's absence, Mike pretends to be an old friend of Sam's, while the three together spin for Susy a story of a murder investigation of her husband from which only the finding of the missing doll can save him. Rote is a predator, and his stalking of Susy becomes ever... Written by
During World War II, 16-year-old Audrey Hepburn was a volunteer nurse in a Dutch hospital. During the battle of Arnhem, Hepburn's hospital received many wounded Allied soldiers. One of the injured soldiers young Audrey helped nurse back to health was a young British paratrooper - and future director - named Terence Young who more than 20 years later directed Hepburn in Wait Until Dark (1967). See more »
Suzy smashes out her light bulbs, but in later sequences, there are no traces of broken glass anywhere on the floor. See more »
Recently blinded woman is unwittingly in possession of a doll filled with drugs. A very mean narcotics dealer concocts an elaborate scheme to trick her into handing it over to him. A great psychological thriller with a twist- the audience knows exactly what's happening but gets to watch the heroine try to figure it out. There's almost no explicit violence in this movie, yet there's an underlying current of foreboding and suspense that literally permeates the entire film. You know something very bad is going to happen.Alan Arkin gives the performance of a lifetime as the cool, calm, collected psychopath who truly enjoys hurting people. And Audrey Hepburn is incredibly beautiful. You could pluck her out of this movie, clothes and all, and stick her in the toniest 90's club in New York and she'd still be the height of fashion.
There's a great `shocking' ending that really doesn't make much sense- but it's still a really good sixties movie.
18 of 26 people found this review helpful.
Was this review helpful to you?