| Leonid Kuravlyov | ... | Khoma Brutus - the philosopher | |
| Natalya Varley | ... | Pannochka | |
| Aleksei Glazyrin | ... | Sotnik | |
| Nikolai Kutuzov | ... | Witch (as N. Kutuzov) | |
| Vadim Zakharchenko | ... | Khaliava - the theologian | |
| Pyotr Vesklyarov | ... | Rector / Dorosh (as P. Vesklyarov) | |
| Vladimir Salnikov | ... | Gorobetz - the orator (as V. Salnikov) | |
| Dmitri Kapka | ... | Overko (as D. Kapka) | |
| Stepan Shkurat | ... | Yavtukh (as S. Shkurat) | |
| G. Sochevko | ... | Stepan | |
| Nikolai Yakovchenko | ... | Spirid (as N. Yakovchenko) | |
| Nikolai Panasyev | ... | Comforter |
Directed by | |||
| Georgi Kropachyov | |||
| Konstantin Yershov | |||
Writing credits(in alphabetical order) | ||
| Nikolai Gogol | story | |
| Georgi Kropachyov | ||
| Aleksandr Ptushko | ||
| Konstantin Yershov | ||
Original Music by | |||
| Karen Khachaturyan | |||
Cinematography by | |||
| Viktor Pishchalnikov | (as V. Pishchalnikov) | ||
| Fyodor Provorov | (as F. Provorov) | ||
Film Editing by | |||
| R. Pesetskaya | |||
| Tamara Zubova | |||
Production Design by | |||
| Nikolai Markin | |||
Art Direction by | |||
| Aleksandr Ptushko | |||
Costume Design by | |||
| Roza Satunovskaya | (as R. Satunovskaya) | ||
Sound Department | |||
| Yevgeni Kashkevich | .... | sound | |
| Irina Stulova | .... | sound | |
Special Effects by | |||
| Aleksandr Ptushko | .... | special effects supervisor | |
Music Department | |||
| Emin Khachaturyan | .... | conductor | |
| Recent Posts (updated daily) | User |
|---|---|
| a superb little horror now out on DVD (2007) | a-bark |
| Remake in the works | Graham_Jones |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Soviet Union section |
Viy is based on the same story, written by Nikolai Gogol, that inspired Mario Bava's masterpiece, Black Sunday. While the films have some similarities; for example, a witch and a fairytale atmosphere; the two really aren't much alike. Black Sunday went more for the straight horror, and was a better film for it. Viy is more of a religious themed film, and the witch plot line offers more in the way of the faith of the lead character than actual horror. The film has a massive amount of cult value, mostly due to the fact that it's not much like any other movie in terms of its style. The music and atmosphere combine to give it an other-worldly feel, and this helps massively where the plot is concerned. The basis of the film follows a man of God who must spend three days and three nights presiding over the corpse of a young girl, who also happens to be the local witch. Being dead isn't much of a hindrance to the witch, as she bombards our hero with black magic. With only his faith to protect him; will he be able to last three nights with her corpse?
The first half of the movie is really rather dull, as not a lot happens and it seems to mostly be a set-up for the latter section. The plot does pick up as the film goes on; but the film is never massively engaging, and that is its main downfall. However, the cinematography is great; and Viy has a very vibrant feel throughout. Black Sunday had a similar vibrant feel; and this film gives the viewer an idea of what Bava's film might have looked like in colour. The scenes that take place inside the church are the movie's main strongpoint, thus making it a shame that there aren't more of them. These scenes look great and brilliantly offset the gentle tone of the rest of the film. The climax delivers the best part of the movie, and the special effects there, while obviously cheap, look stunning and brilliantly suit the style of the film. Russia isn't very well known for its film industry, and this was one of the first horror films produced in the Soviet Union. Modern flick Night Watch has given the Russian film industry a new lease of life recently; and this film, like most other classics, is set for a remake. Oh well...I recommend Viy mainly to fans of art-house cinema.