After a psychoanalyst unsuccessfully tries to convince four sisters that they are not 200 year old vampires, the Queen of the Vampires promulgates the cause of the Undead.
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Title: The Rape of the Vampire (1968)
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Cast
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Solange Pradel | ... |
Brigitte
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Bernard Letrou | ... |
Thomas
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Ariane Sapriel |
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Eric Yan |
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Jacqueline Sieger | ... |
Queen of the Vampires
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Catherine Deville |
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Ursule Pauly |
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Nicole Romain |
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Marquis Polho |
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Don Burhans |
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Philippe Druillet |
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Jean Aron |
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Mei Chen Chalais | ... |
(as Mei Chen)
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Edith Ponceau-Lardie |
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Jean-Denis Bonan |
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Plot Summary
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Plot Synopsis
Storyline
This low budget first film from director Jean Rollin is in reality two very loosely-connected, surreally erotic shorts about vampirism. In the first, three Parisians including a psychoanalyst try to convince four neurotic sisters living in a decaying country chateau that their belief that they are 200 year old vampires is false. The alluring young women are influenced and controlled by a enigmatic disembodied voice which turns out to be the an aging, aristocratic lord of the manor, whose motives are unclear but clearly perverse. Local rustics unite to hunt down and kill the sanguine siblings. In the second, the Queen of the Vampires and her acolytes arrive on the scene, resurrect the dead, and promulgate the cause of the Undead while a medical researcher works to find an antidote to vampirism. Written by duke1029
Genres:
HorrorParents Guide:
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Details
Country:
FranceLanguage:
FrenchRelease Date:
27 May 1968 (France) See more »Also Known As:
Queen of the Vampires See more »Box Office
Budget:
FRF 200,000 (estimated)Company Credits
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IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Black and WhiteAspect Ratio:
1.66 : 1
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An original, surreal and disturbing film that illustrates better than another movie Rollin's peculiar conception of cinema:a mixture of Gothic horror tale's imaginary , politic surrealism, dark romanticism, pulp comic book aesthetic and camera experimentalism. The film is conceived as a collage of images,inspired by the work of his favourite painter, Clovis Trouille, solution that allows him to blend much of the references of his ambiguous imaginary: the dreamy and dark romanticism poetry of Tristan Corbiere ,the sexy shocker surrealism of Georges Bataille, the thought-provoking and political cinema of Luis Buñuel, the pulp and bizarre style of Gaston Leroux and the poetic realism of Jacques Prevert.A non-narrative vampire tale: half romantic, half conceptual and totally experimental.