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To honour her father's dying wish, Queen Salina shares the rule of Icena with Justinian, a fair and just Roman. This displeases the bloodthirsty Druids on one side and the more hard-line Romans on the other. As Salina and Justinian fall in love their enemies start to plot, and blood soon stains the green hills of Britain. Written by
Jeremy Perkins <firstname.lastname@example.org>
The fact of a soldier wearing a wristwatch has passed into movie folklore as the favorite goof of many moviegoers. Similar stories are told of Ben Hur (1959) and Spartacus (1960). For The Viking Queen no still or precise reference has ever been found, and it is likely that the story is either apocryphal or that one of the wristbands worn by the soldiers was mistaken for a wristwatch. See more »
Low-budget and low-brow, but has some degree of camp appeal
During the height of the breasts-on-display, low-budget-epic era in the mid-60's, Murray got off at the wrong "Bus Stop" and wound up flailing around in this sword and sandal howler. He plays the Roman ruler of a Celtic tribe in ancient Britain. The Celtic King dies and appoints one of his three daughters to rule in his place (even though she is virtually a figurehead because of the Roman occupation.) He picks Carita and, because her mother was a Viking, she is dubbed The Viking Queen. (Apparently, she picked up her mother's accent along the way even though she was raised in Britain?) Murray and Carita have an affection for one another, but it is put to the test when he leaves to fight an enemy and his second-in-command starts wreaking havoc on her people. Finally, she's had enough and rises to battle the Romans even at the expense of her relationship with Murray. Carita is lovely (as any former model should be), but her acting inexperience shows much of the time. Murray couldn't possibly be more miscast and he and Carita have only adequate chemistry at best. They do have their own little mini-Ben Hur chariot race which ends up in a swamp, but their great love is not aptly demonstrated in the film. Corri and Pagett play her sisters. One looks old enough to be her mother and dabbles in the occult while the other has a tentative love affair with a local bruiser played by Caffrey. Houston is a raving, rabble-rousing Druid priest who, at times, makes Victor Buono look subtle. Actors like Keir and Troughton attempt to give real performances, but are done in by the pedestrian script. The ad copy for this film promised all sorts of wild events on screen, but most of them are presented in a more-than-tame manner. There is also a heavy dose of hilarious feminine pulchritude on display as scantily-clad ladies show off their bodies with strategic arm, pasty and hair placement to cover the naughtiest bits while they lie around stroking and petting the various men of the cast. One, in particular (referred to as the Nubian slave) is an obviously Caucasian girl in blackface with "Star Trek" make up who probably has more costume changes than the lead! It's not the dullest film ever made and has a few intriguing moments and some eye-catching scenery and costumes, but doesn't hold up as history, nor as titillation.
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