The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid ... See full summary »
Vineyard owner marquis Philippe de Montfaucon is called back to his castle Bellenac because of another dry season. He asks his wife and children to remain in Paris, but they still come ... See full summary »
New York tourist Tony Curtis falls asleep on a Southern California beach on his first night in the West and wakes up to The New Phantasmagoria--catamarans, surfers (including a dog), ... See full summary »
A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to ... See full summary »
Deprived of a normal childhood by her ambitious mother, Katie, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood ... See full summary »
Jane Froman (Susan Hayward), an aspiring songstress, lands a job in radio with help from pianist Don Ross (David Wayne), whom she later marries. Jane's popularity soars, and she leaves on a... See full summary »
Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money. Afterwards he gets to know that one of them contains ... See full summary »
Updated version of the Jacqueline Susann best selling 1960's novel shows the lives of three very different women who come to New York City to achieve fame and fortune in show business and ... See full summary »
Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O'Hara, a talented young actress who's accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an "All About Eve"-type deception in order to steal a good role away from her. Written by
In the Valley of the Dolls, it's instant turn-on... dolls to put you to sleep at night, kick you awake in the morning, make life seem great - instant love, instant excitement, ultimate hell! See more »
Stephen M. Moser of the Austin Chronicle wrote about this film: "The definitive camp classic ... "Valley of the Dolls" is a great movie in the very same way that Showgirls (1995) is a great movie. Rent it and howl!" See more »
After Lyon says goodbye to Anne and her entourage at a restaurant, we hear Jennifer hastily saying, "I'll have the butterfly steak." But the pan from Lyon to Jennifer is too quick, and her mouth isn't moving as she looks at the menu. See more »
"This is my yard/So I will try hard/To welcome friends/I have yet to know!"
This is it, kiddies, the Grande Dame of camp classics. The sheer ineptitude of everyone involved is staggering. Mark Robson directs without a trace of nuance or subtlety; Patty Duke and Susan Hayward come off as boozy drag queens; Sharon Tate and Barbara Parkins look and act as if they had taken one downer too many; Dory and Andre Previn's musical numbers are as funny as those in "The Operetta"--the "I Love Lucy" episode which parodied musical theater; Billy Travilla concocts some of the most glamorously god-awful gowns ever seen; and Kenneth (of Hairstyles by Kenneth, of course) must be personally responsible for the hole in the ozone layer, so lacquered, teased and towering are his creations. But, you know what? IT ALL WORKS. The source material--Jacqueline Susann's groundbreaking, scandalous novel--begs for sledgehammer direction, overripe acting and eyepopping fashions. Certainly, subtlety was not a hallmark of Jackie's work. If anything, VOTD should have been even MORE over-the-top. Due to restrictions of the time, the film is sadly devoid of such juicy plotlines as Jennifer's lesbian affair, Tony's preference for - ahem - rear-entry intercourse, and Neely walking in on Ted Casablanca's tryst with another man. What we have, instead, is an endlessly entertaining piece of cinematic trash that is nowhere near as racy as it would like us to believe; and that's part of its twisted charm. Because it fails on so many levels--as true art, as explicitly sexual titillation, or as a faithful adaptation of a popular book--it's downright inspiring that it comes together so brilliantly. VOTD's ultimate triumph is that, despite its incredible waste of talent, time and money, 30 years later, we're still watching.
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