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Ulysses
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[Cannes Review] Sieranevada

12 May 2016 1:52 PM, PDT | The Film Stage | See recent The Film Stage news »

For this critic’s money, of the several excellent filmmakers to emerge from the Romanian New Wave, Cristi Puiu ranks as the most formidable. After kicking off his career in 2001 with the outstanding Stuff and Dough, a small-scale but expertly modulated road/drug-deal movie, Puiu made two bona fide masterpieces back to back: The Death of Mr. Lazarescu and Aurora. While his newest dramatic feature, Sieranevada, may fall just short of M-word classification by not reaching the same level of radical invention as its two predecessors, it is nonetheless another proud entry in Puiu’s stellar filmography.

Unlike Aurora, which was largely made up of silences, observing its solitary everyman protagonist as he wandered around before and after committing a quadruple murder, the dialogue in Sieranevada rushes forth in a stupefying torrent that begins as soon as the opening credits finish and is sustained almost without cease until the film’s closing image. »

- Giovanni Marchini Camia

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