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Two for the Road (1967)
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Overview
User Rating:
Director:
Writer:
Frederic Raphael (written by)
Release Date:
27 April 1967 (USA)
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Tagline:
They make something wonderful out of being alive!
Plot:
A couple in the south of France non-sequentially spin down the highways of infidelity in their troubled ten-year marriage. full summary | add synopsis
Plot Keywords:
Marriage
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Infidelity
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Europe
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On The Road
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France
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Awards:
Nominated for Oscar.
Another 4 wins
&
4 nominations
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NewsDesk:
(2 articles)
Christine Andreas Returns to Ocpac for Cabaret Series 11/12-11/15
(From BroadwayWorld.com. 15 November 2009, 1:30 AM, PST)
Getting 'Lost,' Week 7: The Science of Going in Circles
(From BuddyTV. 14 October 2009, 4:15 AM, PDT)
(From BroadwayWorld.com. 15 November 2009, 1:30 AM, PST)
Getting 'Lost,' Week 7: The Science of Going in Circles
(From BuddyTV. 14 October 2009, 4:15 AM, PDT)
User Comments:
Standing the test of time
more (74 total)
Cast
(Complete credited cast)| Audrey Hepburn | ... | Joanna Wallace | |
| Albert Finney | ... | Mark Wallace | |
| Eleanor Bron | ... | Cathy Manchester | |
| William Daniels | ... | Howard Manchester | |
| Gabrielle Middleton | ... | Ruth Manchester | |
| Claude Dauphin | ... | Maurice Dalbret | |
| Nadia Gray | ... | Francoise Dalbret | |
| Georges Descrières | ... | David (as Georges Descrieres) | |
| Jacqueline Bisset | ... | Jackie | |
| Judy Cornwell | ... | Pat | |
| Irène Hilda | ... | Yvonne de Florac (as Irene Hilda) | |
| Dominique Joos | ... | Sylvia |
Additional Details
Parents Guide:
Runtime:
111 min
Country:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (Westrex Recording System)
Certification:
USA:Approved (Suggested for Mature Audiences) |
UK:A (original rating) |
UK:PG (video rating) |
Singapore:PG |
France:U |
Canada:PG (video rating) |
Finland:S |
Sweden:11 |
West Germany:12
Filming Locations:
Company:
Fun Stuff
Trivia:
Audrey Hepburn was Stanley Donen's first and only choice for the role of Joanna. When he sent her a treatment, she turned it down because the avant-guard style of filmmaking didn't appeal to her, as she had already done one like it before that hadn't been successful (it was probably Paris - When It Sizzles (1964)). When he tried again and sent her a whole script, she loved it and agreed to do it.
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Goofs:
Continuity: While riding in a limousine, Joanna's hairdo is first shown with bangs, then without bangs, and then with bangs again.
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Quotes:
[Before getting married, hitchhikers Mark and Joanna spend a night in a hotel together]
Mark Wallace: This is completely against my principles.
Joanna Wallace: Good. I hate to think that it happened all the time.
Mark Wallace: I had absolutely no intention of sleeping in hotels.
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Mark Wallace: This is completely against my principles.
Joanna Wallace: Good. I hate to think that it happened all the time.
Mark Wallace: I had absolutely no intention of sleeping in hotels.
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Movie Connections:
Referenced in La mala educación (2004)
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FAQ
This FAQ is empty. Add the first question.more (74 total)
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Thank God that Audrey Hepburn made this film before slipping off into an extended temporary retirement. Was she too old for this movie? Not for the segments that deal with the latter part of the married relationship. The movie spans eleven years and, yes, it is a bit of a visual stretch to see a 37 year old Audrey portraying a 22 year old college woman, but her performance throughout was nothing short of brilliant. This film was a tremendous departure for her. In Two for the Road she does not play the part of the doe-eyed delicate creature of her earlier movies. She even abandoned, reluctantly, her trademark Givenchy wardrobe to sink her teeth into a gritty, visceral part. Many critics of the time remarked on its art house appeal, due in large part to the back and forth sequence editing and the clever juxtaposition of similarities, parallels and contrasts in scenes spanning eleven years. The film must have been incredibly fresh and jarring in its day, abandoning a linear narrative approach to the history of a marriage. Even today it comes across as very "contemporary." Albert Finney delivers an equally strong performance. There is genuine chemistry between Finney and Hepburn. The viewer sees all that is wonderful and horrible about the dynamics of a couple that comes to realize that despite mutual infidelity they still love each other and belong to one another.