In 1930, in Belgium, Gabrielle van der Mal is the stubborn daughter of the prominent surgeon Dr. Pascin Van Der Mal that decides to leave her the upper-class family to enter to a convent, ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
As they are waiting for a divorce, young movie star Malissa Farrell and famous pianist Rudy Walter have left their baby, Johnny, with a child minder in Le Vésinet. Marinette, the latter's ... See full summary »
Joanna is in a touring girl's choir and Mark is a struggling architect. when they first meet on the road in Europe. The film follows their life together --- through courtship and marriage, infidelity and parenthood --- all on the road in a variety of cars through a score of time-shifting vignettes. Written by
Audrey Hepburn was afraid of water, so the scene in which Mark throws Joanna into the water had to be done with some divers standing just barely outside the camera range. One take was ruined because the diver jumped in too save Audrey too quickly. See more »
When Mark and Joanna are riding away in the concrete pipe, you can clearly see that the truck carrying them has a large set of wheels as the furthest back portion of the truck, which would make it difficult for them to just jump out. But when they cut to the scene where they are jumping out, the large set of wheels is gone. See more »
[Before getting married, hitchhikers Mark and Joanna spend a night in a hotel together]
This is definitely against my principles.
Good. I wouldn't like to think that it happened all the time.
I had absolutely no intention of sleeping in hotels.
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This is probably my favorite romance movie of all time. The film tracks a couple by showing us their varied trips together through France. But what is so wonderful is that this is no Hollywood, sugar-coated love story but the chronicle of a very real marriage that should be recognizable to anyone who is working at his or her own marriage. We see the bonding that forms from the NOT love-at-first-sight trip, the glowing honeymoon trip, and the us vs. them trip. But we also see the trips that involve estrangement, infidelity, discord and marital rapprochement.
Stanley Donen takes all these trips, chops them into pieces, and presents them in a fascinatingly scrambled chronology that takes several viewings to unscramble. He also gets excellent performances from all his actors, especially Audrey Hepburn and Albert Finney.
At the end we appreciate this marriage so much more because we've seen all the work it has taken and learn that "bitch" and "bastard" can really be terms of endearment.
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