Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ...
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A central American woman hires an American hit man to assassinate the former dictator of her island country. The plan is foiled by another American while attempting to save the lives of his... See full summary »
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John (Bruce Dern), a self-styled guru who's an advocate of LSD. Paul asks John to be the guide on his first "trip". John takes Paul to a "freak-out" at his friend Max's (Dennis Hopper) pad. Splitting the scene, they score some acid from Max and return to John's split-level pad with an indoor pool. Paul experiences visions of sex, death, strobe lights, flowers, dancing girls, witches, hooded riders, a torture chamber, and a dwarf. He panics but John tells him to "go with it, man." Would you trust John? Written by
I wish there was some hip way of telling you this, baby, but, ah... you're one with and part of an ever-expanding, loving, joyful, glorious, and harmonious universe.
Yeah, in a way. But, you play your personal games.
Alright, I know. Everybody knows. But nobody lives that way.
Is that your defense, man?
Yes. I mean, no. I'm guilty. I'm guilty.
Right! But don't wallow, because it's fake and disgusting!
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There are no opening credits. The title of the movie only appears onscreen once: above the pre-movie disclaimer. See more »
This virtually plotless film is about an advertising executive, going through a divorce, who decides to experiment with LSD.
Most of the film, and obviously the whole reason behind making it, are the psychedelic "trip" sequences. That is the main problem with this film. While the hallucinations initially look impressive and quite enjoyably surreal, they lose their impact quickly and soon become quite dull.
However, the film can be quite enjoyable as a snapshot of late sixties Californian psychedelia (all the weird, colourful paintings on walls, and almost every second sentence ending in "man").
Peter Fonda is quiet bland as the executive, but Dennis Hopper is worth watching in his role as a drug dealer.
It is worth watching if you're interested in late-sixties psychedelia, LSD, Peter Fonda or drug movies, others may want to pass.
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