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To Sir, with Love (1967)

 -  Drama  -  14 June 1967 (USA)
7.7
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Ratings: 7.7/10 from 9,568 users  
Reviews: 94 user | 20 critic

Idealistic engineer-trainee and his experiences in teaching a group of rambunctious white high school students from the slums of London's East End.

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(novel), (written for the screen by)
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Title: To Sir, with Love (1967)

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Cast

Cast overview, first billed only:
...
...
...
Suzy Kendall ...
Gillian Blanchard
Ann Bell ...
Mrs. Dare
Geoffrey Bayldon ...
Theo Weston
Faith Brook ...
Grace Evans
...
Clinty Clintridge
Chris Chittell ...
Potter (as Christopher Chittell)
Adrienne Posta ...
Moira Joseph
Edward Burnham ...
Florian
Rita Webb ...
Mrs. Joseph
Fiona Duncan ...
Euphemia Phillips
Fred Griffiths ...
Mr. Clark
Mona Bruce ...
Josie Dawes
Edit

Storyline

Engineer Mark Thackeray arrives to teach a totally undisciplined class at an East End school. Still hoping for a good engineering job, he's hopeful that he won't be there long. He starts implementing his own brand of classroom discipline: forcing the pupils to treat each other with respect. Inevitably he begins getting involved in the students' personal lives, and must avoid the advances of an amorous student while winning over the class tough. What will he decide when the engineering job comes through? Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

A story as fresh as the girls in their minis. . .and as tough as the kids from London's East End! [UK Theatrical] See more »

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

14 June 1967 (USA)  »

Also Known As:

Al maestro con cariƱo  »

Box Office

Budget:

$640,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The film was held from release for more than a year until Columbia Pictures decided to open it in Westwood, California in the summer of 1967 where it really broke through. See more »

Goofs

Despite the story covering many weeks, the kids supposedly wear exactly the same thing every single day. See more »

Quotes

Pamela Dare: Do you two...
[wiggling her hips]
Pamela Dare: Do you two shake?
See more »

Crazy Credits

In the end credits, Michael Des Barres name is misspelled as "Micheal." See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #2.21 (2011) See more »

Soundtracks

Off And Running
Lyrics by Toni Wine
Music by Carole Bayer Sager (as Carole Bayer)
Performed by The Mindbenders (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"But how can you thank someone who has taken you from crayons to perfume..."
31 January 2005 | by (United States) – See all my reviews

This movie is about many things – teen angst, race relations, and poverty. But what it's *really* about is teased hair, heavy eyeliner and miniskirts. And the title song, of course. Who could ever forget the gushing sentimentality of Lulu warbling about crayons and perfume? It is a charmer of a movie with life breathed into it by a fresh cast of young Brits. Released at a time when the world was captivated by all things British, it was relatively daring at the time it was made. A low-budget film that raked it in at the box office, Poitier, as in *Lilies of the Field*, wisely accepted a low salary in exchange for a share of the profits. But the biggest profit of all is his portrayal of the East End school teacher, Mark Thackery, who quickly learns that his students need a different kind of education than that of a textbook. It has been, unfairly or not, relentlessly compared to *The Blackboard Jungle*, and it is a blood-relation to *Up the Down Staircase* and *Dangerous Minds*. But none of them have the sweetness of Judy Geeson, as Thackery's irrepressible student Pamela Dare. At the end of the movie, when Thackery and Dare dance together, racial, social and philosophical barriers are smashed, and hope springs eternal.


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