San Francisco Police Lieutenant Virgil Tibbs is called in to investigate when a liberal street preacher and political candidate is accused of murdering a prostitute. Tibbs is also battling ... See full summary »
After a group of young revolutionaries break into a corporation's headquarters and steal $5,000,000 worth of heroin to keep it off the street, they call on San Francisco Police Lieutenant ... See full summary »
Gerald S. O'Loughlin
Engineer Mark Thackeray arrives to teach a totally undisciplined class at an East End school. Still hoping for a good engineering job, he's hopeful that he won't be there long. He starts implementing his own brand of classroom discipline: forcing the pupils to treat each other with respect. Inevitably he begins getting involved in the students' personal lives, and must avoid the advances of an amorous student while winning over the class tough. What will he decide when the engineering job comes through? Written by
Ed Sutton <firstname.lastname@example.org>
Gillian's position in the final dance scene changes depending upon whether the shot is from behind her or looking across the dance floor at her. See more »
[reading from her school book]
And he had learned to love, I know not why, for this in such as him seemed strange of mood. But thus it was and though in solitude's small part the nipped affections have to grow, in him this glowed when all beside had ceased to glow.
See more »
In the end credits, Michael Des Barres name is misspelled as "Micheal." See more »
As one of the movies (along with "In the Heat of the Night" and "Guess Who's Coming to Dinner") that made 1967 Sidney Poitier's annus mirabilis, "To Sir, with Love" shows a man forced to take charge in a less-than-pleasant situation. Poitier plays Mark Thackeray, a Guyanese engineer hired to teach in a high school in a rough London neighborhood. The students not only have little interest in school, but are not quite ready to be taught by a black man. Mark is forced to show the students that he will not tolerate insubordination.
Poitier did great in this role, with good support from the rest of the cast (including Lulu, who sang the theme song). It affirms his status as one of the greatest actors in movie history. And also, I hope that nobody tries to compare this with "Dangerous Minds"; the latter was in my opinion an insult. "To Sir, with Love" was a masterpiece.
14 of 18 people found this review helpful.
Was this review helpful to you?