7.0/10
4,516
82 user 14 critic

Thoroughly Modern Millie (1967)

Millie comes to town in the roaring twenties to encounter flappers, sexuality and white slavers.

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On TV

Airs Wed. Oct. 05, 1:15 AM on TCM

ON DISC
Won 1 Oscar. Another 4 wins & 11 nominations. See more awards »
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Cast

Complete credited cast:
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Oriental #1
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Oriental #2
Philip Ahn ...
Tea
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Juarez
Cavada Humphrey ...
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Taxi Driver
Michael St. Clair ...
Baron Richter
Lisabeth Hush ...
Judith Tremaine
Ann Dee ...
Singer
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Storyline

In 1922 New York City, Millie Dillmount and Miss Dorothy Brown are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers. Orphaned, Miss Dorothy, just recently arrived, is a naive, old-fashioned girl from a seemingly privileged background who has aspirations to be a stage actress. From more modest means, Millie, in New York for three months, used to be old fashioned, but now has a new modern sensibility and look to match, complete with bobbed hair and dresses with hemlines above the knee. Included in this new modern sensibility is Millie's goal of getting a job as a stenographer, with a quick promotion to being her wealthy boss' "Mrs.". Love is not to factor into the equation. She believes she's found the right employer in the form of chisel-jawed Trevor Graydon of the Sincere Trust Insurance Company. Millie's pursuit of Mr. Graydon is despite the fact that Mr. Graydon sees her as one of the boys, he has old fashioned sensibilities, and Millie ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Julie as you love her... in the happiest motion picture hit of the year! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | |

Release Date:

21 March 1967 (USA)  »

Also Known As:

Millie  »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

(Westrex Recording System) (70 mm prints)| (35 mm prints)| (35 mm magnetic prints)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The interior theatre audience, with the main characters seated in the front opera box, was filmed on Universal Studios' stage 28 permanent oldest stage set in existence in Hollywood's history, the original 1925 and 1943 remake of the original "Phantom of the Opera" feature film. The same set had been used the previous year, 1966, for the final sequence of Alfred Hitchcock's feature spy film the "Torn Curtain." See more »

Goofs

When Millie does her "Baby face"-dance at the office, she puts a stamp on her hand. In the next shot, that stamp has disappeared. In a later shot, it returns. See more »

Quotes

Millie Dillmount: I like you.
Jimmy Smith: And I like you, by jingo.
See more »

Connections

Spoofs Some Like It Hot (1959) See more »

Soundtracks

Hallelujah Chorus
(uncredited)
from "Messiah"
Music by George Frideric Handel
Words adapted from the Bible by Charles Jennens
Sung by an offscreen chorus when Millie first sees her new boss
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
This is an AWESOME movie
9 April 2005 | by (United States) – See all my reviews

Julie Andrews really shines in this twisted-up romance. She stars as the young, pretty Millie Dillmount, who came to New York, intent on becoming a "modern" and marrying her boss, as was the 'cool' thing to do. She at last finds the 'perfect' boss, a handsome young man named Trevor Graydon. Despite her attempts to suggest her love to him subtly, he doesn't seem to be taking the hint. Along comes Jimmy, too, an irrepressible, lovable paper-clip salesman, who's got his heart set on Millie. Millie tries to stay away from Jimmy and get Mr. Graydon to notice her, going to drastic measures to do so, and all the time while Millie is chasing Mr. Graydon, Jimmy is chasing Millie, and on top of that, Miss Dorothy, Millie's best friend, appears to be chasing both men. In the end, wild and crazy "jazz baby" Muzzy is needed to clear the air and match up lovers once and for all. With an upbeat air and a peppery score, along with Millie's realistic problems and the strange behavior of the housemother, this is definitely a ten on my list.


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