Hit-man Clint Harris has one more job to do before he can retire. The corporation which hires him demands that Harris "erase" an ex-employee who has become a snitch for the police. At first... See full summary »
A collection of skits, parodies, musical performances, and film clips supposedly relating to the peace movement of the late Sixties and early Seventies , but more a general patchwork than a... See full summary »
Ace Trucking Company,
Some university students change their views on sex after hearing a lecture on the blind Syrian philosopher Al-Maarri. He gets his way with one of them after sneaking what I imagine is ... See full summary »
Zenable, a young woman from a humble background, discovers that she is actually the daughter of a Spanish nobleman who was killed by a ruthless don, Alonso, who took the title. So Zenable ... See full summary »
Hit-man Clint Harris has one more job to do before he can retire. The corporation which hires him demands that Harris "erase" an ex-employee who has become a snitch for the police. At first Harris refuses, but in the service of hired-killer-cinema tradition, his own brother is assassinated, so that he must accept. The pro is assigned an assistant, Tony Lo Bello, whom he teaches the ropes as they pursue their prey through Paris. The plot thickens when a beautiful woman identifies the target, but it turns out he has killed the wrong man! Corpses pile up as Harris wonders whom he can really trust. Written by
Fiona Kelleghan <email@example.com>
This is a fairly quiet movie, more French in tone than Italian starring veteran Hollywood actor, Robert Webber and featuring an early appearance by Franco Nero, who would the same year go on to star in Django and never look back. In this though he looks and sounds (well in my dub) more like the fictional character, Clark Kent. Webber carries most of the film in a most assured manner and though there is not masses of action, interest is well held by director Prosperi (he of Mondo movie fame). Engaging from the wordless beginning the movie has a good feel and plays more like a noir than an Italian 60s crime movie. Soundtrack surprises too and instead of a steady lush score of some abrasive industrial sound this a real mixture ranging from 60s pop to full on orchestral. There is a car chase and there are fights and shootings, even slight sex and drugs inclusion but basically a decent story carefully told.
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