| Marcello Mastroianni | ... | Arthur Meursault | |
| Anna Karina | ... | Marie Cardona | |
| Bernard Blier | ... | Defense Counsel | |
| Georges Wilson | ... | Examining Magistrate (as George Wilson) | |
| Bruno Cremer | ... | Priest | |
| Pierre Bertin | ... | Judge | |
| Jacques Herlin | ... | Director of Home | |
| Marc Laurent | ... | Emmanuel | |
| Georges Géret | ... | Raymond | |
| Alfred Adam | ... | L'avocat général | |
| Jean-Pierre Zola | ... | Employer | |
| Mimmo Palmara | ... | Masson | |
| Angela Luce | ... | Madame Masson | |
| rest of cast listed alphabetically: | |||
| Jean-Marc Bory | |||
| Vittorio Duse | ... | Lawyer | |
| Joseph Marechal | ... | Salamano | |
| Jacques Monod | |||
| Saada Cheritel | ... | Arab (uncredited) | |
| Brahim Hadjadj | ... | Arab (uncredited) | |
| Paolo Herzl | ... | (uncredited) | |
| Valentino Macchi | ... | (uncredited) | |
| Mohamed Ralem | ... | Arab (uncredited) | |
Directed by | |||
| Luchino Visconti | |||
Writing credits(in alphabetical order) | ||
| Albert Camus | novel "L'etranger" | |
| Suso Cecchi D'Amico | ||
| Georges Conchon | ||
| Emmanuel Roblès | ||
| Luchino Visconti | ||
Produced by | |||
| Dino De Laurentiis | .... | producer | |
Original Music by | |||
| Piero Piccioni | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Mario Garbuglia | |||
Costume Design by | |||
| Piero Tosi | |||
Makeup Department | |||
| Mario Banchelli | .... | makeup artist | |
Music Department | |||
| Bruno Nicolai | .... | musical director | |
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| Three Brothers | The Best of Youth | Munich | So Sweet, So Dead | Death Wish |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Reviewing isn't really my thing. However, it seems that some information about this film, information that was only fully told when the film was restored in 2001, isn't easily accessible in English. So, here's the rundown:
1- during the long gestation of the project (from 1962), Visconti was often tempted to underscore the political side of the novel; this was shot down by the Camus family.
2- the first choice to play Meursalt was Alain Delon, but negotiations fell apart. In came Mastroianni, who offered to make the movie for half his usual pay. There was no way producer De Laurentiis would say no.
3- Visconti had envisioned a flashback structure to the film, with different viewpoints. The Camus widow imposed a writer of her choice (Roblès) to ensure literal faithfulness to the novel.
4- at this point Visconti tried to walk out, but he was bound to make this film by contract, and had to despite losing all enthusiasm. He was to remember it as his worst film.
Now for the vote. It is professionally done, and while Marcello gives a completely different take on Meursalt from the book - close your eyes and imagine young Delon instead - he gives it his best. A sufficient effort, if one does not think of what it could have been.