Near the Tiber river, in a Roman park, a prostitute was killed. The police tracks down people that were inside the park during that night. They are questioned and have to explain why they ... See full summary »
Giancarlo De Rosa,
In 1950, 28-year-old outlaw Salvatore Giuliano is found gunned down in a Sicilian courtyard. Little is as it seems. The film moves back and forth between the late 1940s, when Giuliano and ... See full summary »
At the end of the XIX century in Russia, Prince Dimitri Necklivdov is called as a jury-man in a trial. The defendant is Katiuscia Maslova, accused of murdering a merchant in order to rob ... See full summary »
Irene, nicknamed 'Honey', has devoted herself to people looking for help, and tries to alleviate their suffering, even when they make extreme decisions. One day she has to cope with ... See full summary »
Libero De Rienzo
A documentary about Italy's underground oil and metan deposits, sponsored by Italian state-owned oil company, ENI. Pictures of the state-of-the-art oil infrastructure are mixed with others ... See full summary »
The Taviani brothers are known for their humanistic and "neo-realistic" approach of film-making, using non-professional actors, location shoots, natural lighting and special attention given to "the people" as protagonists. Their cinema can be qualified as "political", since most of their films deal with abuse of power, corruption, poverty, but also suffering.
Highly political indeed, "The Subversives" ("I Sovversivi") which the Taviani brothers directed in 1967 is nevertheless quite different from "Padre Padrone" and "La notte di San Lorenzo". The film combines actual footage of a Communist leader's funeral, Palmiero Togliatti (who died in 1964), with the story of four people for whom the death marks a major turning point in their political futures. The film takes an episodic approach to chronicle the different effects the leader's death has upon these people. As the four stories intermingle, we follow Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause, Ludovico, an ailing filmmaker who finds out that art alone is not enough, Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband (who happens to be a leader of the Italian Communist party), and Ermanno, a philosophy graduate who breaks up with his past.
"I Sovversivi", which documents the crisis of the Italian left wing after the death of Togliatti through these characters, is not really a must-see, but a watchable film for all those who like Elio Petri's late stuff and Pasolini political films. The others may find this talkative film a bit boring or hard to identify with, especially if you don't know anything about contemporary Italian/European politics.
3 of 5 people found this review helpful.
Was this review helpful to you?