Young nobleman Baron Sergio Giuramondo, after discovering that his bride-to-be was the king's mistress, leaves Naples in disgust to become a monk. But his quest for perfect solitude is ... See full summary »
Two segments: In the first one Felice, a baritone who has had to give up his career because of a heart condition and now works as an accountant at the Opera, inexplicably spends his nights ... See full summary »
While travelling to visit their grandfather, two children are told the story of a family curse that has lasted two hundred years. During Napoleon's Italian invasion, Elisabetta Benedetti ... See full summary »
Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic ... See full summary »
Early in the 19th century, Edward and Carlotta, in love 20 years ago, find each other and marry. After a year's bliss at his Tuscan villa, Edward begs to invite Otto, an architect and ... See full summary »
The Taviani brothers are known for their humanistic and "neo-realistic" approach of film-making, using non-professional actors, location shoots, natural lighting and special attention given to "the people" as protagonists. Their cinema can be qualified as "political", since most of their films deal with abuse of power, corruption, poverty, but also suffering.
Highly political indeed, "The Subversives" ("I Sovversivi") which the Taviani brothers directed in 1967 is nevertheless quite different from "Padre Padrone" and "La notte di San Lorenzo". The film combines actual footage of a Communist leader's funeral, Palmiero Togliatti (who died in 1964), with the story of four people for whom the death marks a major turning point in their political futures. The film takes an episodic approach to chronicle the different effects the leader's death has upon these people. As the four stories intermingle, we follow Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause, Ludovico, an ailing filmmaker who finds out that art alone is not enough, Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband (who happens to be a leader of the Italian Communist party), and Ermanno, a philosophy graduate who breaks up with his past.
"I Sovversivi", which documents the crisis of the Italian left wing after the death of Togliatti through these characters, is not really a must-see, but a watchable film for all those who like Elio Petri's late stuff and Pasolini political films. The others may find this talkative film a bit boring or hard to identify with, especially if you don't know anything about contemporary Italian/European politics.
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