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The Sorcerers (1967)

Unrated | | Horror | November 1967 (USA)
The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike... See full summary »



(screenplay), (screenplay) | 1 more credit »

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Cast overview:
Prof. Marcus Monserrat
Catherine Lacey ...
Estelle / Estelle Monserrat
Elizabeth Ercy ...
Mike Roscoe
Victor Henry ...
Sally Sheridan ...
Laura Ladd (as Dani Sheridan)
Alf Joint ...
Ron, the mechanic
Meier Tzelniker ...
The Jewish Baker
Gerald Campion ...
Customer in China Shop
Audrey Woods
Insp. Matalon
Peter Fraser ...
Detective George
Martin Terry ...
Bill Barnsley ...
Constable in Fur Store
Maureen Booth ...
Dancer (as Maureen Boothe)


The great hypnotist Professor Montserrat has developed a technique for controlling the minds, and sharing the sensations, of his subjects. He and his wife Estelle test the technique on Mike Roscoe, and enjoy 'being' the younger man. But Estelle soon grows to love the power of controlling Roscoe, and the vicarious pleasures that provides. How far will she go, and can the Professor restrain her in time? Written by Kieron O'Hara <koh@psyc.nott.ac.uk>

Plot Summary | Add Synopsis


Boris Karloff He Turns Them On...He Turns Them Off...to live...love...die or KILL!




Unrated | See all certifications »




Release Date:

November 1967 (USA)  »

Also Known As:

För ung att dö  »

Company Credits

Production Co:

, ,  »
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Technical Specs


Sound Mix:


(Eastmancolor) (uncredited)

Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Filming began on January 16 1967. Boris Karloff would next journey to Madrid to work on "Cauldron of Blood". See more »


In the car chase near the end of the movie, Mike, in the Jaguar, is pursued by a police car. In the front seat of the police car are two uniformed cops on the outside and the girlfriend in the center. In the back seat, the detective in the trench coat is on the left, the mechanic is on the right, and another uniformed cop in the center. After Mike hits the brakes and the cop car overshoots an intersection, Mike speeds off. However, when the police car backs up and resumes the chase, only the detective is visible in the back seat. The mechanic and one uniformed cop are not visible as the car backs up and speeds after Mike. See more »


Your Love
Sung by Toni Daly
Played by Lee Grant & The Capitols (as Lee Grant and the Capitols)
See more »

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User Reviews

Tenser and denser than most Brit horror flicks
8 January 2005 | by (London, England) – See all my reviews

Those commenters who have lamented the invisibility of Michael Reeves's second feature will be glad to know it was networked on Britain's biggest channel, BBC1, on 7 January. "The Sorcerers" is one of the movies that makes one feel a fresh evaluation of Tony Tenser's Tigon (and of Amicus, the other little brother of Hammer in the spooky and gory area) is overdue.

No need to exaggerate the merits of this prentice work by the 23-year-old Great White Forlorn Hope. It has the budget and look of a made-for-television movie (Euston Films, maybe?) and falls somewhere between "Peeping Tom" and "Performance" in its conflation of traditional horror/fantasy and Swinging London elements. The first scene of Karloff sparring with a newsagent recalls Miles Malleson poring over dirty postcards in Michael Powell's masterwork. Ian Ogilvy's eternal triangle in and around a nightclub-- interrupted by the increasingly criminal forays on which he is sent by the mind-controlling Montserrats-- has a touch of James Fox's peregrinations as the hoodlum whose brain is warped by contact with Mick Jagger and Anita Pallenberg.

Like Fox, Ogilvy was a public schoolboy (Eton) here convincingly playing rough trade. His junk shop, cheekily named "The Glory Hole", is in Lisson Grove, not far from the infamous Bayswater pad of "Performance". A comparison of Reeves and Donald Cammell as sceptical observers of the Flower Power era might keep a film studies thesis-writer busy.

However, the film belongs to Karloff and Catherine Lacey, the puppetmasters of mesmerism. Boris, aged 80, is doing his last work in his native land. He is clearly tired and spends most of the runtime sitting or sprawling. He is in his mellow, "Targets" phase: bearded, gaunt, hollow-eyed and lined, that beautifully sepulchral voice still able to veer from sinister implication to moral authority within a few syllables. After a career of kindly spinsters, Miss Lacey must have relished her Grand Guignol, orgasmic turn as the wife who has to dominate her hubby before she can possess a younger male psyche and make Ogilvy into a serial killer.

Connoisseurs of Britflix will enjoy spotting Gerald Campion, the former Billy Bunter of BBC TV, as a queer customer of The Glory Hole; Susan George, junior sexpot, just 17 and already acting like a hardened good time girl; Meier Tzelniker, stalwart of the Yiddish theatre and singer of "Nausea" in "Expresso Bongo", as a café owner; Alf Joint, veteran stuntman, as the repair shop foreman; and Ivor Dean as the archetypal CID man with belted mac and pipe.

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