A series of horrific murders is traced to a creature that inhabits a very strange house.

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Cast

Cast overview, first billed only:
...
Mike Kelton
...
Susannah Whately Kelton / Sarah
...
Ethan
...
Aunt Agatha
Judith Arthy ...
Emma
Rick Jones ...
Luther Whately
Ann Bell ...
Mary Whately, Susannah's Mother
William Devlin ...
Charles Lloyd Pack ...
Barge Master
...
Tait
Celia Hewitt ...
Robert Cawdron ...
John Whately, Susannah's Father
Murray Evans ...
Gang Member
Cliff Diggins ...
Gang Member (as Clifford Diggins)
Peter Porteous ...
Gang Member
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Storyline

In a small island off the American coast, the Whateleys live in an old mill where a mysterious bloody being creates an atmosphere of horror. After her parents get killed by lightning, young Susannah is sent to New York by her aunt Agatha, who wants her to avoid the family curse. Years later Susannah, now married, persuades her husband to spend a holiday in the abandoned mill. Once on the island, Susannah and Mike soon find themselves exposed to the hostility of a gang of thugs led by Ethan, Susannah's brutal cousin... Written by Guy Bellinger

Plot Summary | Add Synopsis

Plot Keywords:

mill | island | murder | curse | aunt | See All (22) »

Taglines:

Sleep one night in the house with the shuttered room and you may never want to sleep again... (original theatrical poster) See more »

Genres:

Horror

Certificate:

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Details

Country:

Language:

Release Date:

5 December 1967 (West Germany)  »

Also Known As:

Blood Island  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film was originally offered to director Ken Russell, who turned the project down. David Greene, a successful TV director, took it on because, in his late 40s, he thought it a last chance to get away from TV and into movies; he was, however, greatly dissatisfied with the script and it was being rewritten right up to the end of filming. See more »

Goofs

Throughout the movie the two rear windows of the Thunderbird are alternately up or down. This happens often in the same scene. It is first noticeable as they back off the ferry. As they back up, the passenger side rear window is up and the driver's is down. But as they as turning around upon leaving the ferry, the driver's side rear window is up and the passenger's is down. This becomes very noticeable throughout the film. See more »

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User Reviews

 
Good Late Night Fare For Those Who Like Lingering Dread
6 June 2003 | by (United States) – See all my reviews

I mirror the comments of the plethora of those before me. Saw this as a 9-year-old on the telly and it stayed with me for a long time. The suffocatingly Gothic overtones, lovingly twisted POV camera-work, evocative jazz score and wonderfully creepy, dilapidated locations still spiral through my brain from time to time. Perhaps most memorable are Oliver Reed's warped, leering eyes staring at a helpless Carol Lynley through the dollhouse window, which has to be one of the more simultaneously terrifying and arty shots from any horror movie of the past 30 years.

This is a flick where the sum of the parts may not quite match the individual moments, but what a bunch of moments they are. The extended cat and mouse stalking of Lynley, the bizarre and frightening secret in the basement, Gig Young and Oliver Reed's spot-on hammy genre acting, the moody cinematography; it all adds up to a movie any fan of Gothic or horror will definitely want to check out. Surprisingly tense and graphic given the era; easily one of the more suggestively violent movies I ever saw on local channels during daylight hours in the 1970s, and considerably more graphic than PSYCHO but clearly owing a debt to it. Quintessential movie for Oliver Reed and Carol Lynley fans; among their best, most interesting work on celluloid.


33 of 35 people found this review helpful.  Was this review helpful to you?

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