6.8/10
3,116
49 user 41 critic

The Shooting (1966)

A mysterious woman persuades two cowboys to help her in a revenge scheme.

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(as Adrien Joyce)
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Cast

Complete credited cast:
Will Hutchins ...
Coley
...
...
Billy Spear
...
Willett Gashade
Charles Eastman ...
Bearded Man
Guy El Tsosie ...
Indian
Brandon Carroll ...
Sheriff
B.J. Merholz ...
Leland Drum
Wally Moon ...
Deputy
William Mackleprang ...
Cross Tree Townsman
James Campbell ...
Cross Tree Townsman
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Storyline

An ex- bounty hunter turned miner returns to his mine dig to find one of his partners dead, how brother has run away and the remaining partner is slightly simple and unclear as to what happened. warren is enlisted by a mysterious women to take her across the desert. The woman is strange and keeps changing her story about what she wants and why. On the journey they pick up a gunslinger the woman has hired. The party ends up tracking a rider who is ahead of them. Warren figures out that the trip is really to track down the rider. It's along hot trip across the desert with a purposeful woman,a homicidal gunslinger, the former bounty hunter and his simple sidekick and the unknown quarry. Written by Prairiekid

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

G | See all certifications »
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Details

Country:

Language:

Release Date:

12 June 1968 (France)  »

Also Known As:

The Epitaph  »

Filming Locations:


Box Office

Budget:

$75,000 (estimated)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Millie Perkins wore a hairpiece in this film. See more »

Goofs

During the fight between Willett Gashade and Billy Spear a hat on the ground behind them alternates between being upside down and right side up from shot to shot. See more »

Quotes

Coley Boyard: I don't give a curly hair, yellow bear, double dog damn if ya did!
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User Reviews

A primeval western experience
12 July 2008 | by (Greece) – See all my reviews

As far as westerns go, the 60's were all about Italy and the spaghetti western. By 1967 the ripples Leone's movies are about to make in the American film-making business are around the corner, which leaves The Shooting hanging in a peculiar time and place. Too out there to be appreciated by the traditional western crowd of the 50's and not as cynic and hard-boiled as the spaghetti western-influenced works of the early 70's.

But it succeeds exactly because of that. Monte Hellman crafts a mesmeric, primeval, ultimately existential western that exists in a parallel western universe. A mythic world of some other order. That it refuses to sit down and explain what is going on with the plot is a testament to the film's strength. Not everything needs to be explained. It's all about the impression images make. Impressionistic in that aspect but also surreal. Very. Who is the woman? Who is Billy and the bearded man? As Warren Oates, Jack Nicholson (in an early role here but showing the potential he would fulfill later on in his career) travel through the barren desert, in search of something or someone, The Shooting slowly but gradually peels back the layers of conventional film-making to reveal an off-beat, gritty and fascinating movie. Some of the editing used by Hellman (day to night and vice versa) only serves to disorient the viewer more.

Not only is this a rare, one of a kind western but in all its psychotronic, b-movie glory, it's one of the best of its kind America has to offer. Kudos to Hellman for not refusing to take chances.


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