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The Shooting (1966)

G  |   |  Western  |  12 June 1968 (France)
6.8
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Ratings: 6.8/10 from 2,389 users  
Reviews: 40 user | 38 critic

A mysterious woman persuades two cowboys to help her in a revenge scheme.

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(as Adrien Joyce)
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Title: The Shooting (1966)

The Shooting (1966) on IMDb 6.8/10

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Cast

Complete credited cast:
Will Hutchins ...
Coley
...
...
Billy Spear
...
Willett Gashade
Charles Eastman ...
Bearded Man
Guy El Tsosie ...
Indian
Brandon Carroll ...
Sheriff
B.J. Merholz ...
Leland Drum
Wally Moon ...
Deputy
William Mackleprang ...
Cross Tree Townsman
James Campbell ...
Cross Tree Townsman
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Storyline

A mysterious woman persuades two cowboys to help her in a revenge scheme.

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

G | See all certifications »
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Details

Country:

Language:

Release Date:

12 June 1968 (France)  »

Also Known As:

A vadászat  »

Filming Locations:

 »

Box Office

Budget:

$75,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Filmed in 1965. See more »

Quotes

Coley Boyard: I don't give a curly hair, yellow bear, double dog damn if ya did!
See more »

Connections

Referenced in An Alan Smithee Film: Burn Hollywood Burn (1997) See more »

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User Reviews

 
A primeval western experience
12 July 2008 | by (Greece) – See all my reviews

As far as westerns go, the 60's were all about Italy and the spaghetti western. By 1967 the ripples Leone's movies are about to make in the American film-making business are around the corner, which leaves The Shooting hanging in a peculiar time and place. Too out there to be appreciated by the traditional western crowd of the 50's and not as cynic and hard-boiled as the spaghetti western-influenced works of the early 70's.

But it succeeds exactly because of that. Monte Hellman crafts a mesmeric, primeval, ultimately existential western that exists in a parallel western universe. A mythic world of some other order. That it refuses to sit down and explain what is going on with the plot is a testament to the film's strength. Not everything needs to be explained. It's all about the impression images make. Impressionistic in that aspect but also surreal. Very. Who is the woman? Who is Billy and the bearded man? As Warren Oates, Jack Nicholson (in an early role here but showing the potential he would fulfill later on in his career) travel through the barren desert, in search of something or someone, The Shooting slowly but gradually peels back the layers of conventional film-making to reveal an off-beat, gritty and fascinating movie. Some of the editing used by Hellman (day to night and vice versa) only serves to disorient the viewer more.

Not only is this a rare, one of a kind western but in all its psychotronic, b-movie glory, it's one of the best of its kind America has to offer. Kudos to Hellman for not refusing to take chances.


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