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Le Samouraï (1967)

Le samouraï (original title)
After Professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further in a corner.
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Cast

Cast overview, first billed only:
...
François Périer ...
...
Jane Lagrange
Cathy Rosier ...
La pianiste (as Caty Rosier)
Jacques Leroy ...
L'homme de la passerelle
Michel Boisrond ...
Wiener
Robert Favart ...
Le barman
Jean-Pierre Posier ...
Olivier Rey
Catherine Jourdan ...
La jeune fille du vestiaire
Roger Fradet ...
1er inspecteur
Carlo Nell ...
2ème inspecteur
Robert Rondo ...
3ème inspecteur
André Salgues ...
Le garagiste
André Thorent ...
Policier - chauffeur de taxi
Jacques Deschamps ...
Policier speaker
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Storyline

Hitman Jef Costello is a perfectionist who always carefully plans his murders and who never gets caught. One night however, after killing a night-club owner, he's seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Plot Synopsis

Taglines:

Things suddenly go badly for a successful French assassin See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

25 October 1967 (France)  »

Also Known As:

Le Samourai  »

Box Office

Opening Weekend:

$39,481 (USA) (28 February 1997)

Gross:

$39,481 (USA) (28 February 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This is one of the most influential films of history. Martin Scorsese, Quentin Tarantino, Francis Ford Coppola, Jim Jarmusch, John Woo, Johnnie To, David Fincher, Bernardo Bertolucci, Aki Kaurismäki, Takeshi Kitano, Micheal Mann, Georges Lautner, Nicolas Winding Refn, Luc Besson, Joel Coen, Ethan Coen and others have all made films strongly inspired by it. See more »

Goofs

When rounding up suspects the inspector refers to the population as 10 million. The 1968 population of Paris city proper was only 2.6 million. The population of the urban area was only 8.2 million. See more »

Quotes

Jane Lagrange: I like it when you come round, because you need me.
See more »

Connections

Referenced in Drive (2011) See more »

Soundtracks

Martey's
Written and Performed by François de Roubaix Et Orchestre
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User Reviews

 
Melville's masterpiece is pure seduction...
24 October 2004 | by (Germany) – See all my reviews

This film starts off with the same sound like Sergio Leone's 'C'era un volta il west', but it's just that here the sound is made not by a plate, but a canary, the cold-blooded killer's canary.

This film was made in 1967, the French nouveau vague already apparent all over the place, but with much more subtle undertones than, say, a work by Truffaut.

No, Melville's films were old-school, but at the same time revolutionary, in a delicate way. Take for example the 'chase' scene through the Metro. Practically nothing happens: there are no gunfights, no combat sequences, perhaps just a small chase. But it is Melville's camera and Delon's inimitable performance that keep the audience mesmerized all the way.

The camera practically flirts with the audience throughout the whole movie, picking the most interesting angles and achieving so much practically without any effort. Delon's character changes his expression only once or twice during the movie, shoots faster than even Leone's gunslingers and never forgets to feed his canary. To me, one of the most accomplished antiheroes of the whole genre.

The dialogue is barely there, but when it is, then it's something you'd probably wish you would have come up with yourself. It is a minimalist work that achieves the absolute maximum. Simply put: one of the best crime noirs ever made.


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