Bob, an old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is ... See full summary »
Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just an asset for the even more spectacular heist. Simon, gang leader and Paris night ... See full summary »
Hitman Jef Costello is a perfectionist who always carefully plans his murders and who never gets caught. One night however, after killing a night-club owner, he's seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
When rounding up suspects the inspector refers to the population as 10 million. The 1968 population of Paris city proper was only 2.6 million. The population of the urban area was only 8.2 million. See more »
Jean-Pierre Melville's Le Samourai is the cinematic embodiment of cool. This film is unlike any Hollywood action treatment of a hitman in that it every single movement is treated like a precious gemstone. Alain Delon plays a double crossed assasin who stays one step ahead of the law in what becomes a very smart cat and mouse plot. Delon's character could very well have influenced the loner action hero of the 70's and 80's. Every single movement he makes is done with a cold calculated precision; the way he puts on his hat, smokes a cigarette, and handles a gun. He makes The Fonz look like Roger Rabbit. Dialogue isn't even necessary for a lot of the story. Melville is smart enough to know that movies are about images. The story unfolds in compelling scene after compelling scene. There is also quite a fair bit of sly humour too. Entertaining on many levels. See this!
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