A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von ... See full summary »
A French UN delegate has disappeared into thin air, sending reporter Moreau (Jean-Pierre Melville) and hard drinking photographer Delmas (Pierre Grasset) on an assignment to find him. Their only lead is a picture of three women.
Hitman Jef Costello is a perfectionist who always carefully plans his murders and who never gets caught. One night however, after killing a night-club owner, he's seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
When rounding up suspects the inspector refers to the population as 10 million. The 1968 population of Paris city proper was only 2.6 million. The population of the urban area was only 8.2 million. See more »
For once, a bad guy who really acts like a bad guy should! This hit-man is one cold, non-descript and calculating man who plans and executes his hit with the utmost precision. About the only character I remember who did a more thorough job was the hit-man in Day of the Jackal. The police also seem very bright and competent--and repeatedly nearly trip up the baddie (Jef). Because of all this realism, I strongly commend this movie. On top of the realism, I really liked the ending. All in all, a fine film and there are no negatives that I can think of--except that this type of film is probably NOT everyone's cup of tea, so to speak. There really isn't any romance and no one is particularly likable, but what do you expect in a film like this?
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