A dramatization of the Great Train Robbery. While not a 'how to', it is very detail dependent, showing the care and planning that took place to pull it off.


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Cast overview, first billed only:
Paul Clifton
Kate Clifton
James Booth ...
Inspector George Langdon
William Marlowe ...
Dave Aitken
Clinton Greyn ...
George Sewell ...
Squad Chief
Michael McStay ...
Martin Wyldeck ...
Chief constable
Rachel Herbert ...
School teacher
Patrick Jordon ...
Barry Stanton ...
Car Lot owner
Kenneth Farrington ...
Seventh Robber (as Ken Farrington)


A dramatization of the Great Train Robbery. While not a 'how to', it is very detail dependent, showing the care and planning that took place to pull it off. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis


Who says crime doesn't pay? 3 Million pounds says it does! See more »


Crime | Mystery | Drama


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Parents Guide:





Release Date:

2 February 1968 (France)  »

Also Known As:

Überfall  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


Jason Robards filmed for 3 days in an attempt by producer Joseph E Levine to make it more attractive to US moviegoers but in the end, the scenes were deleted. See more »


When the traffic warden puts the gas canister in the car a white cable can be seen from above whatever it was. See more »


Featured in The Great Train Robbery (2012) See more »


Breaking Into The Mail Van
Music by Johnny Keating, Lyrics by Tommy Scott
Performed by John Keating And His Orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The Robber's Tale.
26 February 2014 | by (United Kingdom) – See all my reviews

Robbery is directed by Peter Yates and adapted to screenplay by Yates, Edward Boyd and George Markstein from The Robber's Tale written by Peta Fordham. It stars Stanley Baker, James Booth, Frank Finlay, Joanna Pettet, Barry Foster, William Marlowe, George Sewell and Clinton Greyn. Music is by Johnny Keating and cinematography by Douglas Slocombe.

As tough as steel toe capped docker boots, Robbery is a fictionalised take on the Great Train Robbery of 1963 that saw the London to Glasgow mail train stripped of its £2.6 million hold. It was a robbery seen as daring and near genius in its meticulous planning and execution. Coming out just four years after the real event, Peter Yates' film takes the skeleton facts of the real robbery and builds a dramatic carcass around it.

Film is structured in three stages, firstly is a scintillating diamond robbery that introduces us to some of the major players in the train robbery to follow. This is fronted by an adrenalin pumping car chase that stands as one of the finest ever put to celluloid, kinetic and with inventive use of camera work, it's set to almost no dialogue and is car choreography of the highest order. Steve McQueen was so impressed he promptly arranged to have Yates summoned to Hollywood to direct Bullit.

The second part of the picture and the meaty middle section of the tale, concentrates on the movers and shakers in the robbery. The planning of the event, the gathering of various criminal London factions, their meetings, arguments, frets and worries, even a scenario that sees ringleader Paul Clifton (Baker) arrange to have a currency expert broken out of prison. All the time while this is happening, as the various crooks move about various London locations such as bars, clubs, football grounds and abodes etc, we are also following the police side of things. The kicker here is that the police, led by Inspector George Langdon (Booth), know that something big is being planned, and by who, but they don't know what and have to bite their nails waiting for a break or for the event to actually happen!

Finally the third part is the robbery itself and the aftermath involving the robbers hiding out, scattering to the wind as the cops close in. The robbery is edge of the seat brilliance, cunning in its execution and filmed with such gritty realism it really grabs the attention wholesale. The climax played out at a disused airfield is also exciting and such is the fact that previously we have been firmly tuned into the main characters on both sides of the law, we are fully immersed into what will become of them all.

Yates and his cast are on fine form, with Baker and Booth excellent, in fact the film positively bristles with British beef at times! Slocombe's photography strips it back to basics, suitably so to imbue that documentary feel, and Keating's score thunders away like a criminal accomplice at times. While fans of 60s London as a period backdrop can't fail to feel well fed after film's end. Pettet's wife of Clifton angle feels under nourished, and the whole middle section inevitably fails to sustain the tempo created by that exhilarating first quarter of film, but small irritants only they be. For Robbery is a British Bulldog of a movie, its biceps bulging, its brain clicking into gear, in short, it's a cracker! 8/10

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