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A police captain (Aldo Ray) is caught between businesses operating on the Los Angeles Sunset Strip who don't like the punks hanging out, and his belief in allowing the kids their rights. But when his daughter (Mimsy Farmer) gets involved with an unruly bunch, his attitude starts to change. Written by
This was filmed in Joe Friday's L.A, while Joe was on a fishing trip with Gannon. The music,especially in the hospital fight scene,sounds like it was lifted from a Bat Man episode. This is typical of the older Hollywood crowd (in this case AIP) trying to cash in on the "hip" sixties,with unintentionally hilarious results.The "hippies" all look like shoe clerks, whose wardrobe truck got mixed up with the Monkees TV Show. A few of them have long hair and beards, but they are dressed like they have a job interview at Radio Shack.The "protest" outside the bars is "totally realistic". The signs looked like they were painted as part of a six grade art project. There are a few generalized anti - war placards("Peace not War"), but nothing to suggest a Vietnam protest. The female police officer, who is carding the kids in the bar, looks like a London meter maid. I know I missed something, but why is the second in command of this L.A police unit British. Was he on loan from the Liverpool PD to show our cops how to handle "mods" and "rockers". All in all, a very amusing look at the "youth culture", through the eyes of the silent generation. Acting honors go to the LSD babe, who almost escapes a police raid, even though she can't walk three feet.My favorite line is from Aldo Ray (his finest hour). The police arrive in front of the party house with two marked patrol cars parked directly in front. Six cops, including four in uniform are standing in front of the house conversing for five minutes. Ray says, " We had better go inside, I think they spotted us."
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