| Photos (See all 15 | slideshow) | Videos (see all 2) |
| Elizabeth Taylor | ... | Leonora Penderton | |
| Marlon Brando | ... | Maj. Weldon Penderton | |
| Brian Keith | ... | Lt. Col. Morris Langdon | |
| Julie Harris | ... | Alison Langdon | |
| Zorro David | ... | Anacleto | |
| Gordon Mitchell | ... | Stables Sergeant | |
| Irvin Dugan | ... | Capt. Murray Weincheck | |
| Fay Sparks | ... | Susie | |
| Robert Forster | ... | Pvt. L.G. Williams | |
| rest of cast listed alphabetically: | |||
| Ed Metzger | ... | Pvt. Frank Brian | |
| Ted Beniades | ... | Sergeant (uncredited) | |
| John Callaghan | ... | Private (uncredited) | |
| Jed Curtis | ... | Accordionist (uncredited) | |
| Frank Flanagan | ... | General Sugar (uncredited) | |
| Trent Gough | ... | Soldier (uncredited) | |
| Harvey Keitel | ... | Soldier (uncredited) | |
| Al Mulock | ... | Private (uncredited) | |
| Douglas Stark | ... | Dr. Burgess (uncredited) | |
| Friedrich von Ledebur | ... | Lieutenant at Garden Party (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Chapman Mortimer | (screenplay) and | |
| Gladys Hill | (screenplay) | |
| Carson McCullers | (novel) | |
Produced by | |||
| C.O. Erickson | .... | associate producer | |
| John Huston | .... | producer | |
| Ray Stark | .... | producer | |
Original Music by | |||
| Toshirô Mayuzumi | (as Toshiro Mayuzumi) | ||
Cinematography by | |||
| Aldo Tonti | (director of photography) | ||
| Oswald Morris | (uncredited) | ||
Film Editing by | |||
| Russell Lloyd | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Art Direction by | |||
| Bruno Avesani | |||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Alexandre | .... | hair stylist: Elizabeth Taylor (as Alexandre of Paris) | |
| Paolo Borselli | .... | hair stylist (as Paola Borzelli) | |
| Agnes Flanagan | .... | hair stylist | |
| Amato Garbini | .... | makeup artist | |
| Frank La Rue | .... | makeup artist (as Frank LaRue) | |
| Phil Rhodes | .... | makeup artist (as Philip Rhodes) | |
Production Management | |||
| Mario Del Papa | .... | production manager | |
| Frederick Muller | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Vana Caruso | .... | assistant director | |
| Edward Folger | .... | assistant director (uncredited) | |
Art Department | |||
| William Kiernan | .... | set director | |
Sound Department | |||
| John Cox | .... | sound | |
| Basil Fenton-Smith | .... | sound | |
| Leslie Hodgson | .... | sound editor | |
Camera and Electrical Department | |||
| Nino Cristiani | .... | camera operator (as Michele Cristiani) | |
| Frank Flanagan | .... | gaffer (uncredited) | |
| Alberico Novelli | .... | electrician (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
| Piero Servo | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Anna Maria Feo | .... | wardrobe (as Anna Maria Fea) | |
Music Department | |||
| Marcus Dods | .... | conductor | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Friedrich von Ledebur | .... | horse master | |
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| A Single Man | Gone with the Wind | So Sweet, So Dead | Salon Kitty | From Here to Eternity |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
"Reflections in a Golden Eye" was recognized by John Huston himself as his most important film of his late period along with "The Man who would be a King". While generally the later is accepted as his masterpiece "Reflections in a Golden Eye" is misunderstood as Huston's "misfire", as a "flop", an opinion with which I tend to disagree. What we have here is a good drama whose story is based on a book by Carson McCullers, featuring superb performances from Marlon Brando who plays a U.S. Army Major in an isolated military fort somewhere in the south, who gradually discovers his homosexuallity and Liz Taylor, simply great here in the role of his cheating wife. The film, which is basically a serious drama, turns out to be something of a cynical human comedy, due to "ridiculousness" of all of it's characters and the way the story is told by film's director - John Huston. Overall it's an intelligent film whose main theme is repression and ultimate frustration of desire with it's tragic consequences. 8/10