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Reflections in a Golden Eye (1967)

Not Rated | | Drama, Romance, Thriller | 13 October 1967 (USA)
Bizarre tale of sex, betrayal, and perversion at a military post.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
Lt. Col. Morris Langdon
...
Alison Langdon
Zorro David ...
Anacleto
...
Stables Sergeant
Irvin Dugan ...
Capt. Murray Weincheck
Fay Sparks ...
Susie
...
Pvt. L.G. Williams
Rest of cast listed alphabetically:
...
Pvt. Frank Brian
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Storyline

US Army Major Weldon Penderton is stationed on a base in the American south. He and his wife Leonora Penderton are in an unsatisfying marriage. Weldon is generally a solitary man who in his time alone tries to bolster his self image as he feels less than adequate as a man and a major. He does not want to viewed like Captain Murray Weincheck, who has been bypassed for promotion time and time again solely because he is seen as being too sensitive. Self absorbed Leonora, when not focused on her passion of horses and riding, tries to maintain the facade of being what she sees an officer's wife should be while she carries on an affair with their next door neighbor, married Colonel Morris Langdon. Morris' wife, Alison Langdon, suffered a nervous breakdown three years ago after miscarrying, she still with that nervous constitution. Alison is generally drawn toward sensitive types, such as Captain Weincheck and their faithful flamboyant Filipino houseboy, Anacleto. Peripheral to the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Most women in her situation would do the very same thing! They just wouldn't do it as well- or as often! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

13 October 1967 (USA)  »

Also Known As:

Reflejos en tus ojos dorados  »

Filming Locations:

 »

Box Office

Budget:

$4,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This film has two connections to Apocalypse Now (1979). It has co-stars Marlon Brando and Harvey Keitel, who co-starred in the film until Keitel was replaced by Martin Sheen, and photos of Brando's character later used in Apocalypse Now (1979) as shots of his character at a younger age. See more »

Goofs

Elizabeth Taylor bends over and lights a roaring fire, but when she stands up the fire is out. See more »

Quotes

Maj. Weldon Penderton: Now, a man does not flee because... um... he's fighting in an unjust cause. He does not attack because his cause is just. He flees 'cause he's the weaker. And he conquers 'cause he's the stronger. Or more to the point because his leaders made him feel stronger. Rommel... Patton, Marshall, MacArthur. They - they had it. How did they - uh... how did they make their troops believe they were stronger? Leadership is intangible... hard to measure, difficult to describe. Leadership must include a ...
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Connections

Referenced in Con Air (1997) See more »

Soundtracks

In the Mood
(uncredited)
Written by Wingy Manone, Andy Razaf and Joe Garland
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User Reviews

 
Southern Fried Gothic Of The Most Delicious Kind
7 August 2005 | by (Italy) – See all my reviews

Montgomery Clift was supposed to play Brando's part. Elizabeth Taylor had put her own salary as a collateral for insurances purposes. It wasn't to be but the thought stayed with me throughout the film without spoiling the perverse delights's of Carson McCuller's steamy original story. Gladys Hill, adapting McCuller's book, was clearly giving John Huston exactly what he needed, she did it two other times in "The Kremlin Letter" and most memorably in "The Man Who Would Be King" John Huston has traveled through many different universes throughout his career. Sometimes he merely visited with a fantastic inquisitive eye and his masterful hand. He was never one to judge, he seem to find redeeming sides even in the, apparently, unredeemable. Here he seems to observe this peculiar world from a distance and what he gives us is a brilliantly cinematic glimpse into the unmentionable. In lesser hands this would have been an heavy, turgid melodrama in Huston's hands is a brilliantly heavy, stunningly turgid, intelligent melodrama. Brando is terrific in one of his most uncomfortable performances. You sense he is a time bomb that stopped clicking. Elizabeth Taylor throws herself into the part with such gusto that keeps the proceedings not merely high but in flames - this was her messy wives period, Virginia Woolf and Zee - The shots of her beautifully round behind bouncing up and down her horse's saddle is a funny reminder of her National Velvet days. So far, far away. Here, her casual cruelty is so totally amoral that verges on innocence. Julie Harris's performance is nothing short of sensational and Zorro David as her loyal Anacleto starts as a caricature and ends as one of the stalwarts of the piece. The great John Huston had cinematographer Aldo Tonti to translate this kinky universe into a stunning, steamy masterpiece.


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