IMDb > Quatermass and the Pit (1967)
Quatermass and the Pit
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Quatermass and the Pit (1967) More at IMDbPro »

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Quatermass and the Pit (1967) -- An ancient Martian spaceship is unearthed in London, and proves to have powerful psychic effects on the people around.

Overview

User Rating:
7.4/10   2,591 votes
MOVIEmeter: ?
Down 14% in popularity this week. See why on IMDbPro.
Director:
Writer:
Nigel Kneale (original story and screenplay)
Contact:
View company contact information for Five Million Years to Earth on IMDbPro.
Release Date:
16 February 1968 (USA) more
Genre:
Tagline:
All Earth Stands Helpless! Spawned in the depths of outer space -- a monster so horrible, so vicious, so incredible -- even when you see it you won't believe it could be! (U.S. poster) more
Plot:
An ancient Martian spaceship is unearthed in London, and proves to have powerful psychic effects on the people around. full summary | add synopsis
User Comments:
A great Hammer film more (102 total)

Cast

  (Cast overview, first billed only)
James Donald ... Dr. Mathew Roney
Andrew Keir ... Prof. Bernard Quatermass
Barbara Shelley ... Barbara Judd
Julian Glover ... Colonel Breen
Duncan Lamont ... Sladden
Bryan Marshall ... Captain Potter
Peter Copley ... Howell
Edwin Richfield ... Minister
Grant Taylor ... Police Sergeant Ellis
Maurice Good ... Sergeant Cleghorn
Robert Morris ... Jerry Watson
Sheila Steafel ... Journalist
Hugh Futcher ... Sapper West
Hugh Morton ... Elderly Journalist
Thomas Heathcote ... Vicar
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Additional Details

Also Known As:
Five Million Years to Earth (USA)
The Mind Benders
more
Runtime:
97 min
Country:
Language:
Color:
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono (RCA Sound Recording)
Certification:
Filming Locations:

Fun Stuff

Trivia:
The outside broadcast television cameras (and the TV channel glimpsed on a pub monitor) bear the genuine logo of ITV regional broadcaster ABCTV - ironic for an adaption of a serial made by the rival BBC channel. more
Goofs:
Factual errors: A pattern of seven circles with hexagonal symmetry is twice described as a pentacle. more
Quotes:
Professor Bernard Quatermass: The will to survive is an odd phenomenon. Roney, if we found out our own world was doomed, say by climatic changes, what would we do about it?
Dr. Mathew Roney: Nothing, just go on squabbling like usual.
Professor Bernard Quatermass: Yes, but is we weren't men?
more
Movie Connections:
Featured in "Is It Real?: Life on Mars" (2006) more

FAQ

This FAQ is empty. Add the first question.
19 out of 21 people found the following comment useful.
A great Hammer film, 15 June 2004
8/10
Author: henry-girling from London, England

A lot of nonsense is written about the significance and meaning and quality of Hammer Films, whereas mostly they were pedestrian and derivative. There were some gems in their output and this film is one of them. The science may be wayward but it unfolds plausibly from the initial discovery of the thing in the pit to mayhem and madness in the streets of London. The opening credits are sparse and it goes straight into the story and never lets up.

It has a clear narrative and each new discovery pushes the envelope of fear and amazement further out. There is no romantic interest (though I must declare the Miss Judd character is pretty darn attractive) to hold up the driving plot. If there is a fault it is that the story can scarcely contain the wealth of material that Nigel Kneale puts in the script. Presumably there isn't a longer director's cut in some film archive!

With limited resources at hand the director, Roy Ward Baker, directs some great scenes, weird and strange and scary. He is served well by the acting of James Donald, Andrew Keir and Barbara Shelley, which is perfect for their roles. As the alien presence become stronger you believe it when it affects the characters. The scene at the pit where Miss Judd has her visions recorded is excellent. The special effects are varied but the green arthropods and the space ship look quite malevolent. The ending is great and somehow disquieting as the closing credits slowly roll.

This is a good example of an interesting intelligent film, costing less than the catering budget of the elephantine mega-budget film we have these days, but much more effective and memorable.

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