A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn't ... See full summary »
In this violent spaghetti western a murderous robber hijacks a payroll train, murders everyone aboard and then stashes his loot. A gunslinger learns about it and decides he wants the money ... See full summary »
After Cacopoulos (Eli Wallach) manages to save himself from being hung on a false charge, he robs Cat Stevens (Terrence Hill) and Hutch Bessy (Bud Spencer) of a lot of money and steals ... See full summary »
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A drifter comes to town where his brother is sheriff. His brother is actually a robber who broke the real sheriff's leg and left him for dead, and became sheriff in order to hide out. They ... See full summary »
Rivaling Pirates and Spanish gold are the ingredients for this story. Blackie the pirate is the one who first hears from this shipment of gold when he encounters "Don" Pedro. He thinks of a... See full summary »
A mysterious gunfighter named Django is employed by a local crooked political boss as a hangman to execute innocent locals framed by the boss, who wants their land. What the boss doesn't know is that Django isn't hanging the men at all, just making it look like he is, and using the men he saves from the gallows to build up his own "gang" in order to take revenge on the boss, who, with Django's former best friend, caused the death of his wife years before. Written by
Really, really good old fashioned Spaghetti Western starring a young Terence Hill as the titular gunslinger.
Gianfranco Reverberi's music is one of those old Western songs that just gets stuck in your head. I haven't seen the film in about four years and still remember the theme song beat-for-beat. Great cast too: with George Eastman, Horst Frank, Guido Lollobrigida, and Luciano Rossi (who dies like he does in every other movie). The dramatics is all melodramatic enough to the point of almost being funny, like with the action sequences where whoever is supposed to win just kicking ass and never getting hit once.
It's also interesting to note that this film has almost the exact same structure as Kurosawa's Yojimbo / Leone's Fistful of Dollars, yet it throws in enough variation (and "Django-ism") to retain its own unique and colorful feel. The best scene is definitely the ending showdown in the cemetery. Much better filmed and more comic book-style than anything in the original DJANGO - plus a lot more fun.
I never really was a big 60's Spaghetti Western fan, but I still liked this movie quite a bit, which definitely says something.
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