The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Based on the theme of the individual pitted against the large, impersonal organization. Here the central character is an old-fashioned loner of a gunman embroiled with a large-scale, corporate criminal operation behind a respectable-looking 'front'. Without delving into psychology or motivation, the film places emphasis on action and surface appearances, superbly capturing the glossy, depersonalized feel of a 1967 Los Angeles--a nightmare landscape of concrete, glass and coiling freeways. Written by
While hiding out at Lynn's apartment after her death, Walker battles flashbacks and walks into an empty room and squats in the corner holding his head. The sound of his shoes clicking on the hardwood floor can be heard, although he is wearing only socks. See more »
Still packs a whallop after all of these years, this was undoubtably a big influence on all the tough-loner-on-quest-for-revenge movies to come. What's really interesting is how Marvin's unemotional and seldom speaking character is quite fascinating. Instead of him being bland, we keep studying, somehow trying to find SOMETHING behind his cold stare.
Though tough, this movie is not without a sense of humor, though it's quite subtle, such as the test drive sequence. It's good stuff, though I did have one problem; the ending is quite confusing. I am sure other viewers will not quite be able to determine what's going on.
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