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Playtime (1967)

 -  Comedy  -  27 June 1973 (USA)
8.0
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Ratings: 8.0/10 from 10,736 users  
Reviews: 61 user | 114 critic

Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist ... See full summary »

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(additional English dialogue), , 1 more credit »
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Title: Playtime (1967)

Playtime (1967) on IMDb 8/10

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Cast

Cast overview, first billed only:
...
Barbara Dennek ...
Young Tourist
Rita Maiden ...
Mr. Schultz's Companion (as Rita Maïden)
France Rumilly ...
Woman Selling Eyeglasses
France Delahalle ...
Shopper in Department Store
Valérie Camille ...
Mr. Lacs's Secretary
Erika Dentzler ...
Mme. Giffard
Nicole Ray ...
Singer
Yvette Ducreux ...
Hat Check Girl
Nathalie Jem
Jacqueline Lecomte ...
Young Tourist's Friend
Oliva Poli
Alice Field
Sophie Wennek
Evy Cavallaro
Edit

Storyline

Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

27 June 1973 (USA)  »

Also Known As:

Play Time  »

Filming Locations:


Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

(with intermission and exit music) | (2002 restored)

Sound Mix:

(35 mm prints)| (70 mm prints)| (70 mm prints) (restored version)| (35 mm prints)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

To cut production cost cardboard cut-outs were used as extras in the background. To give them life some human extras would interact with the cut-outs. See more »

Connections

Featured in Splendor (1989) See more »

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User Reviews

 
Greatest film ever?
7 January 2001 | by (Burke, Virginia, USA) – See all my reviews

The only other movie I know that is as profound and beautiful and challenging as this is Tarkovsky's "Stalker." But "Playtime" may prove to be a better, more accessible example of what films can do. Tati so radically deconstructs space and depth within a film that it is almost unrecognisable: Spielberg doesn't have this level of craftsmanship, and not even Kubrick ever did. Virtually dialogue-free and spryly paced, "Playtime" works on nearly any possible level.

It can be seen as simply a superficial comedy, and as that, it succeeds because it is, well, very funny. (Modern technology is the golden cow that Tati playfully cuts down to size.) On the opposite end of the spectrum, however, is a work that stands the art of film on its head, commenting wryly on the nature of human beings, culminating to a party in a restaurant that gets completely out of hand. It's so beautiful.

Words really don't do justice to this movie. One last thing: The big screen is the ideal medium to see this film; that's true of every film, but this one more than most others. Unfortunately, I haven't had this privelege, and if you don't either, rent it anyway. It's too good to be missed.


38 of 55 people found this review helpful.  Was this review helpful to you?

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