Stéphane Blanchon, who teaches at the International College, lives a quiet comfortable life in Geneva. He is married to Christine, a cold, dry-hearted woman, and his sentimental life is ... See full summary »
A "Reformed Colonel" is found dead in Paris, a couple of decades after Algeria's struggle for independence was won from France. Lieutenant Galois is assigned the investigation of this ... See full summary »
Cécile De France
Industrialist Pierre Verdier kills his mistress Jeanne Ancelin by throwing her off a train. Her husband, Ancelin, decides to take revenge on his wife's murderer, who has been acquitted by ... See full summary »
Pierre Rossi and Béatrice live in the same block of flats in Marseille and love each other. One night, Béatrice leaves her apartment. Pierre knows that his fiancée goes to a rendezvous, but... See full summary »
During his absence, secret (and normally undecipherable) documents have been stolen from Andrei Smoloff, a cultural attaché at the Soviet Embassy in Paris. Through an indiscretion, the ... See full summary »
Philippe, a little known artist, has a mistress, Viviane, a woman he does not love. When he learns the bailiffs are about to seize his paintings, Philippe decides to leave alone for the ... See full summary »
Jacques Decrey, an industrialist, finds out that his wife Gloria has a lover. Posing as a man named Berthier, he blackmails her. After a while, Decrey decides to make Yves Normand, a young ... See full summary »
On paper, a Louis Jourdan - Senta Berger pairing in a spy thriller about a down-on-his-luck gambler / novelist who becomes a pawn in a plot concerning the defection of a French scientist to the Red China looks like an idea that can't miss. And yet it does miss, as "To Commit A Murder" is so dull during its first half that I was nearly tempted to shut it off midway through. Of course I never actually do that, and in the second half the story does start coming together, plus there is a pretty gritty knife fight as well. The dialogue sometimes aims for profundity and occasionally hits the target (I liked the conversation about how it was better being an artist during the Renaissance, but a scientist during the 20th century), Jourdan has his expected moments of sophistication and Berger is just flawlessly beautiful, but none of that can fully compensate for the feeling of purposelessness that the first half of the movie suffers from. Some pretty jarring cuts on my print, too. ** out of 4.
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