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|Index||11 reviews in total|
The film that almost killed my friend R-G, from an overdose of laughs, "Oscar" has a special place in my cinema loving mind, not because it is original or something, but because it's so damn good!
The best big screen version of a theatrical play, (Sylvester Stallone didn't do too bad, but when you compare with Louis de Funès you are doomed to loose!) it practically takes place inside a house, during one day. The confusion that is created by a series of misunderstandings, carries you away and makes you feel compassion for the desperation of Louis de Funès, during the breaks you take from laughing, in order to breath.
Sorry for my enthusiasm, but I like this one a lot. I know that opinions vary, but in my opinion, "Oscar" is one of the best comedies ever made, mostly for the amount of funny situations it serves you throughout the entire film.
This movie can't be translated, because De Funès is acting perfectly.
It's the type of comedy we don't see anymore in films, probably because
it takes a very good actor to create almost continuous comic effects.
This is achieved because it's a play-like movie, with just one act. It
amazed me to realize that I had just watched a long, hilarious play,
with few breaks without getting bored for a second.
The many clichés would have ruined it if everything wasn't gravitating around the main character. It is a sort of getting De Funès from 'The Restaurant' and putting him on continuous play. The sweat on his face makes you admire his devotion to his job. He should be thanked with a bow for being almost perfect.
A swarm of characters flying around you, making you laugh with tears.Without doubt a classic.
This is one of my favorites since I've watched it for the first time as a kid. It's a typical french comedy from the 60's era. You can watch the movie several times and it is still funny; it makes you dizzy trying to find out in which of the several black suit cases the money, the jewelry or the lingerie is...and it's a treat to watch Louis de Funes trying to make sense of all the confusion. And his nervous breakdown in the middle of the film wrote movie history. The supporting cast is equally funny, just watch out for the masseur! Don't waste your time with the remake by John Landis with Sylvester Stallone in the leading role, go for the original one.
The script is stuffed with manipulations, lies, surprises and dumb
characters so it's nearly one laugh guaranteed with every lines! To
keep your pleasure, i wouldn't tell more, above all it is very
complicated to resume!
I had the pleasure to see 3 versions of this story: one with "Sly" Stallone, another with Bernard Tapie (ex-president of the biggest football club in France, ex-Minister, ex-prisoner and now actor) and this one with De Funès.This latter, even being the oldest stays the best and for a long time, I think!
When people say De Funès knows only to make faces, I would recommend watching "Oscar" wide eyes open! Louis excels with his tone, his energy and his reactions. If he plays again and always a Machiavellian bad guy, for me, he shows a lot of humanity and a big heart!
That's the only problem with De Funes: as his movies built my childhood, I confused his real kindness with his characters: in other words, he makes me happy so he inspired me. But as his embodies bad guys, vile boss and hypocritical, I copy that and never have his success. Everybody was taken my words for real!
De Funès should have won an Oscar for this "Oscar"!
This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema. There is never a dull moment in this film.
For those who master french perfectly, it's the greatest comedy ever, full of typically french humour, wordplay, double messages and misunderstandings. For those who understand french sufficiently, it's still a riot. For the others, it will be the ultimate proof that french belongs amongst the most non-verbal languages on the face of this earth. MUST SEE! By the way: it was never released on video, but this is going to change rapidly as Gaumont - owner of the rights - has announced its release (VHS & DVD) before the end of 1999!!! So stay tuned and keep in touch with your local video shop...
*** This review may contain spoilers ***
I have just watched this film for the umpteenth time and really thought it was time to submit some comments for it. Before going further, it is necessary to speak and understand French very well indeed to get the full benefit of the comedy. The DVD has been issued with French subtitles which should help any foreign viewer. From beginning to end this film is a RIOT. Never has de Funès been so lively, so vivacious or so expressive, even in Hibernatus or Rabbi Jacob. I will not go into the story itself as it is too complicated to rewrite in this place but suffice it to say there are a number of quiproquo's, misunderstandings, plays on words, plus an interminable exchange of black suitcases all strictly resembling each other but whereas one contains ladies underwear, another contains 60 million francs and yet another a hoard of priceless jewels. The star of the film is without doubt de Funès as the victim of all these hoaxes aided by his unflappable "wife", Claude Gensac. There is also a brilliant performance by Claude Rich and a minor one by Paul Préboist as the butler. The story is a MINE of surprises and unexpected twists and lasts under 90 minutes. Every minute something is happening, something is being discovered and surprises are appearing. Most of the film takes place in De Funès' character's house so I would imagine it was based on a play. I am surprised that De Funès didn't suffer a heart attack while making this, such is the intensity of his performance. Even you, the spectator will be left breathless by the pace of the dialogues and the energy exuded by Louis de Funès. Not to be missed at any cost, especially as it is now available on DVD !
*** This review may contain spoilers ***
I don't think I've ever seen such a non-stop laugh riot, one crazy thing happening after another. Every time De Funes receives a new shock to his nervous system in this film, he rears up with his upper body and shouts "O", "O", "O" as if he were having a heart attack. One the biggest laughs I had in the film was when De Funes receives yet another shock and he goes running through the house at a full gallop and through the front door. He reappears back through the same front door a couple of minutes later, still at a gallop, as if he had run in a nervous frenzy around his neighborhood. Even if you forget his other great comedic gems like Jo, Rabbi Jacob, La Grande Vadrouille, Le Gendarme En Ballade, Faites Sauter La Banque and others, this film alone I think puts him in the rank of the great comedians of the 20th century: Chaplin, Sellers, the Marx Brothers, Laurel And Hardy, and the Three Stooges.
More shallow than this famous comedy is hard to find. Paradoxically, more hilarious than Edouard Molinaro's "Oscar" is even harder to pick up. I personally favor satire and humor based on human behavior over those mindless restless bedroom farces centered on infidelity and slamming doors. Well, this looks very much like a mindless farce: a restless businessman, a maid who resigns, a brutish masseur, a dishonest right-hand man who bullies his employer, a daughter who happens to be pregnant, a suitcase passing from hand to hand... nothing very profound about that, to be sure! And yet, I couldn't help laughing (and I was not alone, believe me) from the very first to the very last minute. Only one conclusion can be drawn: the comic machinery of the diabolical Magnier-de Funès- Molinaro trio is so well-oiled that this filmed version of " Oscar " (there are five other ones including one starring... Sylvester Stallone!) makes it simply irresistible. A real whirlwind that sweeps through the movie theater and leaves you breathless, not to say wheezing, with Louis de Funès at the top of his art.
*** This review may contain spoilers ***
This form of French comedy has centuries of history, its resorts have
been long ago perfected and brought to the optimal condition. In this
stage tradition, Oscar, a filmed play, is funny, conventional, zany,
bourgeois. It is far better than HIBERNATUS, where the same stock
company (Funès, Mme. Gensac and Préboist) is put to use; HIBERNATUS'
asset would still be that it gives Mme. Gensac a larger role, which is
gratifying to a Mme. Gensac fan as I am.
Bertrand Barnier is Funès' standard characterwealthy, acrid, jumpy, asexual, virtuous bourgeois. He receives, one morning, a young man who is his employed and who requests first a salary raise, then the hand of Barnier's daughter. A rollercoaster of QuiproQuos begins immediately. The young man's mistress is not Barnier's daughter; Barnier's daughter has a lover, who is not this solicitor, and she's not pregnant. These two confusions caused by two lies (the real solicitor of the miss's hand, and the false pregnancy)will roll the comedy.
Colette, Bertrand's daughter, played by the cute Agathe Natanson, is in love with the chauffeur; then she will be passed, by her father whom she lied about being pregnant and who is now pressed to find her quickly a husband, to a clerk and then to a masseur.
Jacqueline 'Barnier' Bouillote, an average blonde played by Sylvia Saurel, is a girl who pretended to be Barnier's daughter.
Bernadette, another blonde, is the spicy _soubrette, played by Dominique Page, and she will marry a baron.
The cast is vintageFunès, Mme. Gensac, Rich, Préboist, also the three mentioned blonds (--none of them really hot --); the Funès comedies tended to be flicks with ugly people.
As I said, these are bourgeois, conventional and innocent comedies.
Daddy Funès, the so beloved French actor, made, as it is wellknown, a double career ,on stage and on screen, and he translated on screen some of his awesome stage successesusually conventional, innocent, mild and bourgeois comedies, nothing very original or indecent or libertine, licentious, piquant. Funès himselfand I say this as a person who has ever allowed himself every Funès flick availablewas perhaps not a firstrate actor, and his movies were never firstrate either, neither him nor his movies belonged to the premium magnitude classlike Gabin, Fresnay, Jouvet, Simon, Raimu, Belmondo, Trintignant, Depardieu, etc..
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